They were thoughts commensurate with the grandeur of the scene.
Count Caloveglia was no colourist. He was a sculptor, about to reap the reward of his labours. The cheque would be in his pocket that night. Three hundred and fifty thousand francs—or nearly. That is what made him not exactly grave, but reserved. Excess of joy, like all other excesses, is not meet to be displayed before men. All excess is unseemly. Nothing overmuch. Measure in everything.
Measure even in the fabrication of Hellenic masterpieces. He had created one of them (the Demeter did not count); it sufficed for his modest ambitions. The Faun was his first forgery and his last. To retrieve the fortunes of his family he had employed those peculiar talents which God had given him. He would remain, henceforward, an artist. He shrank from the idea of becoming a wholesale manufacturer of antiques.
Three hundred and fifty thousand francs. If sufficed. Thinking of those figures, he began to smile with contentment. He smiled—but no more. And as he continued to muse upon the transaction his look melted, imperceptibly, into one of reverential awe; there was a solemnity about that sum, an amplitude, a perfection of outline that reminded him, in a way, of the proportions of some wonderful old Doric temple. The labour of a lifetime would not have enabled him to collect so much had he tried to sell bronzes of his own workmanship. A bust or statue by Count Caloveglia—it would command a certain small price, no doubt; but what was the reputation, the market value, of the most eminent modern artist as compared with that nameless but consummate craftsman of Locri?
The Count saw things in their true perspective. His mental attitude towards Sir Herbert Street and his American employer was not tinged with the faintest cloud of disrespect; for van Koppen, indeed, he cherished a liking which bordered on affection. He detected in the astute American what nobody else could detect—an element of childlike freshness and simplicity. As far apart, in externals, as two distant trees whose leaves are fluttering on either side of some tangled forest, he yet felt that their roots were interwoven below ground, drawing common life and nourishment and sympathies from that old teeming soil of human aspirations. Nor was he vainglorious of his achievement. His superiority over the art-expert he took as a gift of the gods. Vanityi was abhorrent to his nature. He was not proud but glad—glad to have been able to reconquer his legitimate social position; glad, above all things, to have forged a link with the past—a key to admit him into the fellowship of Lysippus and those others whose august shades, he opined, were even them smiling upon him. The Locri Faun was his handiwork. He was "entitled to dine well," as he had told Denis. That was what he now purposed to do. One master-stroke had repaired his fortunes. It sufficed. Nothing overmuch. Count Caloveglia knew the story of Polycrates, the too-fortunate man. He knew what lies in wait for the presumptuous mortal whoo oversteps the boundary of what is fair and good. Nemesis!
Three hundred and fifty thousand francs. There would be an ample dowry for Matilda. And, as regards himself, he could return to his passion of youth; he could afford to become a sculptor again and even, if so disposed, a collector—though not exactly after the style of his excellent friend Cornelius van Koppen.
"That was a suggestive encounter, was it not, between the Deputy and our local judge?"
He spoke, as before, out of civility.
"Very suggestive," assented Mr. Heard. "Two blackguards, I call them."
The bishop was particularly glad to learn, as everybody on the island had learnt, the minutest details of this sordid legal affair. It seemed likewise to have been providentially arranged, in order to afford him an insight into the administration of local law, and some notion of what would have been in store for his cousin had she applied for relief from Muhlen's persecutions to Signor Malipizzo, his intimate friend. There would have been no justice for her—not from that quarter. He would probably have forbidden the child to be moved out of his jurisdiction, pending the progress of a trial which might never end. Nor could the English Court, with its obsolete provisions on this head, have regarded Muhlen otherwise than as her legal husband—the child of her later union as illegitimate. Bastardy: a taint for life! How well she had done to put herself beyond a rancorous letter of the law; to protect her child and family according to the immutable instincts of mankind!