All these things, and a good many more, had been said. Eames knew it.
Kind friends had seen to that.
To contrive such stories was a certain lady's method of asserting her personality on the island. She seldom went into society owing to some physical defect in her structure; she could only sit at home, like Penelope, weaving these and other bright tapestries—odds and ends of servants' gossip, patched together by the virulent industry of her own disordered imagination. It consoled Mr. Eames slightly to reflect that he was not the only resident singled out for such aspersions; that the more harmless a man's life, the more fearsome the legends. He suffered, none the less. This was why he seldom entered the premises of the Alpha and Omega Club where, quite apart from his objection to Parker's poison and the loose and rowdy talk of the place, he was liable to encounter the lady's stepbrother. Of course he knew perfectly well what he ought to have done. He ought to have imitated the example of other people who behaved like scoundrels and openly gloried in it. That was the only way to be even with her; it took the wind out of her sails. Keith often put the matter into a nutshell:
"The practical advantages of doing something outrageous must be clear to you. It is the only way of stopping her mouth, unless you like to have her poisoned, which might be rather expensive even down here, though you may be sure I would do my best to smooth things over with Malipizzo. But I am afraid you don't realize the advantages of ruffianism as a mode of art, and a mode of life. Only think: a thousand wrongs to every right! What an opening for a man of talent, especially in a country like this, where frank and independent action still counts its admirers. You have done nothing, of late, worthy to be recorded in the CHRONIQUE SCANDALEUSE of Nepenthe. Twelve years ago, wasn't it, that little affair of yours? Time is slipping by, and here you muddle along with your old Perrelli, in a fog of moral stagnation. It is not fair to the rest of us. We all contribute our mites to the gaiety of nations. Bethink yourself. Bestir yourself. Man! Do something to show us you are alive."
To such speeches Mr. Eames would listen with a smile of amused indignation. He was incapable of living up to the ideals of a man like Keith whose sympathy with every form of wrong-doing would have rendered him positively unfit for decent society but for his flagrant good nature and good luncheons. He suffered in silence.
He had good reason for suffering. That "little affair" of twelve years ago was a ghost which refused to be laid. Every one on the island knew the story; it was handed down from one batch of visitors to the next. He knew that whenever his name was mentioned this unique indiscretion of his, this toothsome morsel, would likewise be dished up. It would never grow stale, though atoned for by twelve years of exemplary conduct. He felt guilty. There was a skeleton in his cupboard. He realized what people were saying.
"Know Eames? Oh, yes. That quiet man, who writes. One can't swallow half those yarns about him; quite impossible to believe, of course. She overdoes things, the good woman. All the same, there's no smoke without fire. You know what actually did happen, don't you? Well; one really doesn't quite know what to make of a fellow like that, does one?"
What had happened?
The bibliographer had fallen in love, after the fashion of a pure-minded, gallant gentleman. It was his first and only experience of this kind—an all-consuming passion which did much credit to his heart but little to his head. So deeply were his feelings involved that during those brief months of infatuation he neglected, he despised, he derided his idol Perrelli. He put on a new character. While the dust was accumulating on those piles of footnotes, Mr. Eames astonished people by becoming a society man. It was a transfiguration. He appeared in fancy ties and spats, fluttered about at boating parties and picnics, dined at restaurants, perpetrated one or two classic jokes about the sirocco. Nepenthe opened its eyes wide till the truth was made manifest. After that, everybody said he might have discovered a worthier object for his affection than the "BALLOON CAPTIF."
She was a native of the mainland to whose credit it must be said that she did not pretend to be anything but what she was—an exuberant, gluttonous dame, with volcanic eyes, heavy golden bracelets, the soupcon of a moustache, and arms as thick as other people's thighs; an altogether impossible person. Nobody but a man of genuine refinement, scrupulous rectitude, delicate sense of honour and kindly disposition would have risked being seen in the same street with such a horror; nobody but a real gentleman could have fallen in love with her. Mr. Eames ran after her like a dog. He made a perfect ass of himself, heedless of what anybody though or said of him. The men declared he was going mad—breaking up—sickening for an attack of G.P. "Miracles will never cease," charitably observed the Duchess. Alone of all his lady acquaintances, Madame Steynlin liked him all the better for this gaucherie. She was a true woman-friend of all lovers; she knew the human heart and its queer little vagaries. She received the couple with open arms and entertained them royally, after her manner; gave them a kind of social status. Under this friendly treatment Mr. Eames grew thinner from day to day; he was visibly losing flesh. The dame prospered. Piloted by the love-sick bibliographer she gradually waddled her way—it was uphill work, for both of them—into the uppermost strata of local society where, owing to the rarefied atmosphere, her appetite, to say nothing of her person, soon gained notoriety. She was known, in briefest space of time, as "the cormorant," as "prime streaky," as "Jumbo," as "the phenomenon" and, by those who understood the French language, as the "BALLON CAPTIF."
The "BALLON CAPTIF." …