"She exaggerates a good deal, that lady."
"Is it true that you once got so drunk that you mistook one of those red-coated Chelsea pensioners for a pillar-box and tried to post a letter in his stomach?"
"I'm very short-sighted, Don Francesco. Besides, all that was in a previous incarnation. Do come and listen to the music! May I offer you my arm, Duchess? I have a surprise for you."
"You have a surprise for us every year, you bad man," she said. "Now do try and see if you can't get married. It makes one feel so good."
Keith had a peculiar habit of vanishing for a day or two to the mainland, and returning with some rare orchid from the hills, a piece of Greek statuary, a new gardener, or something. Sowing his wild oats, he called it. During this last visit he had come across the tracks of an almost extinct tribe of gipsies that roamed up and down the glens of those mysterious mountains whose purple summits were visible, on clear days, from his own windows. After complex and costly negotiations they had allowed themselves to be embarked, for this one night only, in a capacious sailing boat to Nepenthe, in order to pleasure Mr. Keith's guests. And here they sat, huddled together in dignified repose and abashed, as it seemed, by the strangeness of their surroundings; a bizarre group stained to an almost negro tint by exposure to sun and winds and rain.
Here they sat—gnarled old men and sinewy fathers of families, with streaming black hair, golden earrings, hooded cloaks of wood and sandals bound with leathern thongs. Mothers were there, shapeless bundles of rags, nursing infants at the breast. The girls were draped in gaudy hues, and ablaze with metal charms and ornaments on forehead and arms and ankles. They showed their flashing teeth and smiled from time to time in frank wonder, whereas the boys, superbly savage, like young panthers caught in a trap, kept their eyes downcast or threw distrustful, defiant glances round them. Here they sat in silence, smoking tobacco and taking deep draughts out of a pitcher of milk which was handed round from one to the other. Occasionally the older people would pick up their instruments—bagpipes of sheepskin, small drums and gourd-like mandolines—and draw from them strange dronings, gurglings, thrummings, twangings; soon a group of youngsters would rise gravely from the ground and, without any preconcerted signal, begin to move in a dance—a formal and intricate measure, such as had never yet been witnessed on Nepenthe.
Something inhuman and yet troublingly personal lay in the performance; it invaded the onlookers with a sense of disquietude. There was primeval ecstasy in those strains and gestures. Giant moths, meanwhile, fluttered overhead, rattling their frail wings against the framework of the paper lanterns; the south wind passed through the garden like the breath of a friend, bearing the aromatic burden of a thousand night-blooming shrubs and flowers. Young people, meeting here, would greet one another shyly, with unfamiliar ceremoniousness, and then, after listening awhile to the music and exchanging a few awkward phrases, wander away as if by common consent—further away from this crowd and garish brilliance, far away, into some fragrant cell, where the light was dim.
"What do you make of it?" asked Keith of Madame Steynlin, who was listening intently. "Is this music? If so, I begin to understand its laws. They are physical. I seem to feel the effect of it in the lower part of my chest. Perhaps that is the region which musical people call their ear. Tell me, Madame Steynlin, what is music?"
"That's a puzzle," said the bishop, greatly interested.
"How can I explain it to you? It is so complicated, and you have so many guests this evening. You are coming to my picnic after the festival of Saint Eulalia? Yes? Well, I will try to explain it then"—and her eye turned, with a kind of maternal solicitude, down the pathway to where, in that patch of bright moonshine, her young friend Krasnojabkin, gloriously indifferent to gipsies and everything else, was astounding people by the audacity of his terpsichorean antics.