This proof may be restated in briefer fashion.[1175] The consciousness of events in time involves the dating of them in time. But that is only possible in so far as we have a representation of the time in which they are to be dated. Time, however, not being by itself experienced, must be represented in consciousness by an abiding substrate in which all change takes place, and since, as the substrate of all change, it will necessarily be unchangeable, it may be called substance.
The argument, in both proofs, is needlessly abstract, and as already remarked,[1176] the reason of this abstractness is that Kant here, as in the chapter on Schematism, unduly ignores space, limiting his analysis to inner sense. He defines the schema of substance as the permanence of the real in time, i.e. as the representation of the real which persists while all else changes. As the second edition of the Critique shows,[1177] Kant himself came to recognise the inadequacy of this definition, and therefore of the proof of the first Analogy. Consciousness is only possible through the representation of objects in space. Only in outer sense is a permanent given in contrast to which change may be perceived. The proof ought therefore to have proceeded in the following manner. Time can be conceived only as motion, and motion is perceivable only against a permanent background in space. Consciousness of time therefore involves consciousness of a permanent in space. He might have added that consciousness of relative time involves consciousness of change in relation to something relatively permanent, and that the scientific conception of all changes as taking place in a single absolute time involves the determining of change through relation to something absolutely permanent, this ultimate standard being found in the heavenly bodies. By the permanent is not meant the immovable, but only that which is uniform and unchanging in its motions. The uniform motions of the heavenly bodies constitute our ultimate standard of time. The degree of their uniformity is the measure of our approximation to an absolute standard. A marginal note upon this Analogy in Kant’s private copy of the Critique reveals Kant’s late awakened recognition of the necessity of this mode of restating the argument.
“Here the proof must be so developed as to apply only to substances as phenomena of outer sense, and must therefore be drawn from space, which with its determinations exists at all times. In space all change is motion....”[1178]
That the new argument of the second edition still proceeds on the same lines as the second argument of the first edition is probably due, as Erdmann remarks,[1179] to Kant’s unwillingness to make the extensive alterations which would have been called for in the chapter on Schematism as well as in the statement of this Analogy.
A second serious objection to Kant’s treatment of the first Analogy follows at once from the above. Kant identifies the permanent which represents time in consciousness with matter, and seeks to prove by means of this identification the principle of the conservation of matter.[1180] That principle is not really capable of transcendental proof. It is not a presupposition of possible experience, but merely a generalisation empirically grounded. Kant is here confounding a particular theory as to the manner in which the element of permanence, necessary to possible experience, is realised, with the much more general conclusion which alone can be established by transcendental methods. His argument also conflicts with his own repeated assertion that the notion of change, in so far as it is distinct from that of temporal succession or of motion in space, is empirical, and consequently falls outside the scope of transcendental enquiry. By the conservation of matter we mean the constancy of the weight of matter throughout all changes. But the only permanent which can be postulated as necessary to render our actual consciousness of time possible, consists of spatial objects sufficiently constant to act as a standard by comparison with which motions may be measured against one another. And as this first Analogy, properly understood, thus deals solely with spatial changes of bodies, the principle of the conservation of matter has no real connection with it.
Then thirdly, and lastly, Kant takes this first Analogy as showing the indispensable function performed in experience by the category of substance and attribute. Substance, he argues, corresponds to the time in which events happen, and its attributes correspond to the changing events. Just as all events are only to be conceived as happening in time, so too all changes are only to be conceived as changes in an abiding substance. These, he would seem to hold, are simply two ways of making one and the same assertion. Now Kant may perhaps be right in insisting that all change is change in, and not of, time. Unity of consciousness would seem to demand consciousness of a single time in which all events happen. But this relation of time to its events does not justify the same assertion being made of substance. Substance may be what corresponds to time in general, and may represent it in consciousness, but we cannot for that reason say that changes are also only in and not of it. To regard the changes in this way as attributes inhering in substance directly contradicts the view developed in the second Analogy. For the notion of substance is there treated as an implication of the principle of causality. Substance, Kant there insists, is not a bare static existence in which changes take place, but a dynamic energy which from its very nature is in perpetual necessitated change. Change is not change in, but change of, substance.
Even in the passage in which Kant identifies the notion of the permanent in change with that of substance and attribute, he shows consciousness of this difficulty. We must not, he says, separate the substance from its accidents, treating it as a separate existence. The accidents are merely the special forms of its existence. But all the same, he adds, withdrawing the words which he has just uttered, such a separation of the changing accidents from the abiding substance is “unavoidable, owing to the conditions of the logical employment of our understanding.”[1181] Kant is here so hard pressed to account for the use of the category of substance and attribute in experience, and to explain the contradictions to which it gives rise, that the only way he sees out of the difficulty is to refer the contradictions involved in the category to the constitution of our understanding in its logical employment. Yet as such employment of understanding is, according to his own showing, secondary to, and dependent upon, its “real” employment, the category of substance and attribute can hardly have originated in this way.
We must, then, conclude that Kant offers no sufficient deduction or explanation of the category of substance and attribute, and as he does so nowhere else, we are driven to the further conclusion that he is unable to account for its use in experience, or at least to reconcile it in any adequate fashion with the principle of causality.
B. Second Analogy.—Everything that happens, i.e. begins to be, presupposes something on which it follows according to a rule. Or as in the second edition: All changes take place in conformity with the law of the connection of cause and effect.
This section, as Kant very rightly felt, contains one of the most important and fundamental arguments of the entire Critique; and this would seem to be the reason why he has so multiplied the proofs which he gives of the Analogy. Within the limits of the section no less than five distinct proofs are to be found, and still another was added in the second edition. As Adickes[1182] argues, it is extremely unlikely that Kant should have written five very similar proofs in immediate succession. The probability is that they are of independent origin and were later combined to constitute this section; or, if we hold with Adickes that Kant first composed a “brief outline,” we may conclude that he combined the one or more proofs, which that outline contained, with others of earlier or of later origin. The first to the fourth paragraphs of the first edition contain a first proof; the fifth to the seventh a second proof (a repetition of the first proof but in indirect form); the eighth to the tenth a third proof (almost identical with the first); the eleventh to the thirteenth a fourth proof (different in character from all the others); the fourteenth a fifth proof (probably the latest in time of writing; an anticipation of the argument in the second edition). The paragraph added in the second edition (the second paragraph in the text of the second edition) gives a sixth and last proof.