The sun was setting graciously that November afternoon, gilding to beauty all that, in dying, it touched. They stopped on the bridge to look at the light on the water, and Arthur said, "Who is Peggy?"

"Peggy?" Elizabeth was silent for a minute, then she said, "Peggy Donald is a bright thing who, alas! is coming quick to confusion. She is seventeen and she is dying. Sad? Yes—and yet I don't know. She has had the singing season, and she is going to be relieved of her pilgrimage before sorrow can touch her. She is such an eager, vivid creature, holding out both hands to life—horribly easy to hurt: and now her dreams will all come true. My grief is for her parents. They married late, and are old to have so young a daughter. They are such bleak, grey people, and she makes all the colour in their lives. They adore her, though I doubt if either of them has ever called her 'dear.' She doesn't know she is dying, and they are not at all sure that they are doing right in keeping it from her. They have a dreadful theory that she should be 'prepared.' Imagine a child being 'prepared' to go to her Father!... This is the place. Shall I take the hyacinths?"

As they went up the stair (the house was on the second floor) she told him not to be surprised at Mrs. Donald's manner. "She has the air of not being in the least glad to see one," she explained; "but she can't help her sort of cold, grudging manner. She is really a very fine character. Father thinks the world of her."

Mrs. Donald herself opened the door—a sad-faced woman, very tidy in a black dress and silk apron. In reply to Elizabeth's greeting, she said that this happened to be one of Peggy's well days, that she was up and had hoped that Miss Seton might come.

Arthur Townshend was introduced and his presence explained, and Mrs. Donald took them into the sitting-room. It was a fairly large room with two windows, solidly furnished with a large mahogany sideboard, dining-table, chairs, and an American organ.

A sofa heaped with cushions was drawn up by the fire, and on it lay Peggy; a rose-silk eiderdown covered her, and the cushions that supported her were rose-coloured with dainty white muslin covers. She wore a pretty dressing-gown, and her two shining plaits of hair were tied with big bows.

She was a "bright thing," as Elizabeth had said, sitting in that drab room in her gay kimono, and she looked so oddly well with her geranium-flushed cheeks and her brilliant eyes.

Elizabeth put down the pot of hyacinths on a table beside her sofa, a table covered with such pretty trifles as one carries to sick folk, and kneeling beside her, she took Peggy's hot fragile little hands into her own cool firm ones, and told her all she had been doing. "You must talk to Mr. Townshend, Peggy," she said. "He has been to all the places you want most to go to, and he can tell stories just like The Arabian Nights. He brought you these hyacinths.... Come and be thanked, Mr. Townshend."

Arthur came forward and took Peggy's hand very gently, and sitting beside her tried his hardest to be amusing and to think of interesting things to tell her, and was delighted when he made her laugh.

While they were talking, Mrs. Donald came quietly into the room and sat down at the table with her knitting.