"That's so," said Gertrude; "but people have got such a way of dropping in to tea. By the way, Mr. Stevenson, we'll hope to see you, if you should happen to be in our direction any Sunday."
"That is very kind of you," said Mr. Stevenson.
"There!" cried Mrs. Thomson, bounding in her chair, "Miss Elizabeth's going to sing. That's fine!"
Stewart Stevenson looked over his shoulder and saw a girl standing at the piano. She was slight and straight and tall—more than common tall—grey-eyed and golden-haired, and looked, he thought, as little in keeping with the company gathered in the drawing-room of Jeanieville as a Romney would have looked among the bright gilt-framed pictures on the wall.
She spoke to her accompanist, then, clasping her hands behind her, she threw back her head with a funny little gesture and sang.
"Jock the Piper steps ahead,
Taps his fingers on the reed:
His the tune to wake the dead,
Wile the salmon from the Tweed,
Cut the peats and reap the corn,
Kirn the milk and fold the flock—
Never bairn that yet was born
Could be feared for Heather Jock.
Jock the Piper wakes his lay
When the hills are red with dawn!
You can hear him pipe away
After window-blinds are drawn.
In the sleepy summer hours,
When you roam by scaur or rock,
List the tune among the flowers,
'Tis the song of Heather Jock.
Jock the Piper, grave and kind,
Lifts the towsy head that drops!
Never eyes could look behind
When his fingers touch the stops.
Bairns that are too tired to play,
Little hearts that sorrows mock—
'There are blue hills far away,
Come with me,' says Heather Jock.
He will lead them fast and far
Down the hill and o'er the sea,
Through the sunset gates afar
To the Land of Ought-to-be!
Where the treasure ships unload,
Treasures free from bar and lock,
Jock the Piper kens the road,
Up and after Heather Jock."