You will hear also that Señor Goodwin, like a tower of strength, shielded Doña Isabel Guilbert through those subsequent distressful days; and that his scruples as to her past career (if he had any) vanished; and her adventuresome waywardness (if she had any) left her, and they were wedded and were happy.
The American built a home on a little foothill near the town. It is a conglomerate structure of native woods that, exported, would be worth a fortune, and of brick, palm, glass, bamboo and adobe. There is a paradise of nature about it; and something of the same sort within. The natives speak of its interior with hands uplifted in admiration. There are floors polished like mirrors and covered with hand-woven Indian rugs of silk fibre, tall ornaments and pictures, musical instruments and papered walls—“figure-it-to-yourself!” they exclaim.
But they cannot tell you in Coralio (as you shall learn) what became of the money that Frank Goodwin dropped into the orange-tree. But that shall come later; for the palms are fluttering in the breeze, bidding us to sport and gaiety.
V
CUPID’S EXILE NUMBER TWO
The United States of America, after looking over its stock of consular timber, selected Mr. John De Graffenreid Atwood, of Dalesburg, Alabama, for a successor to Willard Geddie, resigned.
Without prejudice to Mr. Atwood, it will have to be acknowledged that, in this instance, it was the man who sought the office. As with the self-banished Geddie, it was nothing less than the artful smiles of lovely woman that had driven Johnny Atwood to the desperate expedient of accepting office under a despised Federal Government so that he might go far, far away and never see again the false, fair face that had wrecked his young life. The consulship at Coralio seemed to offer a retreat sufficiently removed and romantic enough to inject the necessary drama into the pastoral scenes of Dalesburg life.
It was while playing the part of Cupid’s exile that Johnny added his handiwork to the long list of casualties along the Spanish Main by his famous manipulation of the shoe market, and his unparalleled feat of elevating the most despised and useless weed in his own country from obscurity to be a valuable product in international commerce.
The trouble began, as trouble often begins instead of ending, with a romance. In Dalesburg there was a man named Elijah Hemstetter, who kept a general store. His family consisted of one daughter called Rosine, a name that atoned much for “Hemstetter.” This young woman was possessed of plentiful attractions, so that the young men of the community were agitated in their bosoms. Among the more agitated was Johnny, the son of Judge Atwood, who lived in the big colonial mansion on the edge of Dalesburg.
It would seem that the desirable Rosine should have been pleased to return the affection of an Atwood, a name honoured all over the state long before and since the war. It does seem that she should have gladly consented to have been led into that stately but rather empty colonial mansion. But not so. There was a cloud on the horizon, a threatening, cumulus cloud, in the shape of a lively and shrewd young farmer in the neighbourhood who dared to enter the lists as a rival to the high-born Atwood.
One night Johnny propounded to Rosine a question that is considered of much importance by the young of the human species. The accessories were all there—moonlight, oleanders, magnolias, the mock-bird’s song. Whether or no the shadow of Pinkney Dawson, the prosperous young farmer, came between them on that occasion is not known; but Rosine’s answer was unfavourable. Mr. John De Graffenreid Atwood bowed till his hat touched the lawn grass, and went away with his head high, but with a sore wound in his pedigree and heart. A Hemstetter refuse an Atwood! Zounds!