The late Eugene Field might in time have become a poet of considerable ability, but there is little question that his newspaper labors were too onerous to allow of a thorough development of his poetic powers. The verses he wrote have always been popular because they were simple and musical, and addressed themselves to an almost universal sympathy for children, and his poems, charming and lovable as they were, stopped short of being great. It was the subject and the sentiment, rather than the literary proficiency of his poetical work, that made him so widely known. A poem to be great and long-remembered must be erected in the same way that a house is built. The foundation, the superstructure, the architectural proportions, the ornament and finish must be the result of care and labor, or else it abideth not.
Judge Albion W. Tourgee, whose opinions on matters literary deserve respect, however it be concerning his political proclivities, advises poetic as well as other literary aspirants to always work in a room with an open fire—not for the sake of the fire, but in order that he may burn five sheets for every one he sends to the printer.
W. S. Porter.
(Houston Daily Post, Sunday morning, November 24, 1895.)
Part Three
Newspaper Poetry
Topical Verse
(Dramatis Personae: One singer, one baritone horn, one bass drum.)
There was a man in our town,
And he was very lazy;
He made his wife do everything,
Till she was almost crazy.
Although he was a Christian man,
He made her come upstairs
And wake him up to say “Amen!”
When she had said his prayers.
One night before he went to sleep
He made her kneel and pray
And when she finished, wake him up;
Then this good man did say:
“Oh, Lord, please answer my wife’s prayer.”
And then to sleep he fell.
The Lord did, and the man awoke
To find himself in ———.
Baritone horns “Ta-ta-rum.”
Bass Drums “Boom.”