Sometimes when the purple shades begin to fall on Saturday evening and the cool mists creep up from the sluggish waters of the bayou the Post Man dons his useful article of apparel and hieth him forth among the hedges and the highways. He sees the seamy side through the gilding that covers the elect of the earth, and he sees the pure gold that glitters amid the mire where tread the lowly and meek of heart. He catches the note of discord in the prayer of the Pharisee on the street corner, and the jangle of the untuned bells that hang above many houses of worship. He sees strange deeds of nobility and lofty self-denial among people from whose touch respectability draws aside its skirts, and the mark of the beast upon the brow of the high and saintly.
A little here and there he jots down upon his pad; the greater part of the panorama goes by unrecorded until something comes in the vast To Be that will either explain—or end.
Robert Burns has drawn a perfect picture of the purest peace and happiness in his “Cotter’s Saturday Night.” The laborer comes home from his work and is met by his joyful family. The fire burns brightly, the lamp is lit, and they draw the curtains and sit about their humble board, shutting in their little happy world from the cold and bleak night.
There are such homes now and always will be, but if one will traverse the streets of a city on Saturday night he will witness many scenes of a far different nature.
As the homeward bound columns file along the sidewalks there is much to be seen that presages sorrow and scant comfort to the waiting ones at their homes. There are staggering steps, loud speeches with rude and thickened tongues, and plentiful signs of misspent wages and the indulgence of debased appetites.
The saloons are reaping a rich harvest that should belong to wives and children. Some fling away in an hour what has taken them days to earn, and will carry home nothing but sullen looks and empty pockets. You can see all along the streets pale, anxious-looking women slipping through the crowd in the hope of meeting the providers and protectors of their homes, and inducing them to come there instead of lingering with their besotted comrades. What should be a season of rest and repose beneath the home vine and fig tree is turned into Saturnalia, and a loosing of bad passions.
Homeward flit the trim shop girls, the week’s work over, intent on the rest and pleasure of the morrow; threading their straightforward and dextrous way through the throng. Homeward plods the weary housekeeper with her basket of vegetables for Sunday’s dinner. Homeward goes the solid citizen laden with bundles and bags. Homeward slip weary working women, hurrying to fill the hungry mouths awaiting them. Respectability moves homeward, but as the everlasting stars creep out above, queer and warped things steal forth like imps of the night to hide, and sulk, and carouse, and prey upon whatever the darkness bringeth to them.
Down on the bank of the bayou, beyond the car shops, the foundries, the lumbermills and the great manufactories that go to make Houston the wonderful business and trade center she is, stands—or rather, leans—a little shanty. It is made of clapboards, old planks, pieces of tin and odds and ends of lumber picked up here and there. It is built close to the edge of the foul and sluggish bayou. Back of it rises the bank full ten feet high; below it, only a few feet, ripples the sullen tide.
In this squalid hut lives Crip. Crip is nine years old. He is freckled-faced, thin and subdued. From his knee his left leg is gone and in its place is a clumsy wooden stump, on which he limps around at quite a wonderful pace. Crip’s mother cleans up three or four offices on Main Street and takes in washing at other times. Somehow, they manage to live in this tottering habitation patched up by Crip’s father, who several years before had fallen into the bayou one night while drunk, and what was left of him by the catfish was buried upon the bank a hundred yards farther down. Of late, Crip had undertaken to assist in the mutual support.