When you think of it, their method is beautifully and almost hilariously effective and simple.
You have your hut in which you live and carry out the destiny that was decreed for you. Spiked to the jamb of your bamboo doorway is a basket made of green withes, plaited. From time to time, as vanity or ennui or love or jealousy or ambition may move you, you creep forth with your snickersnee and take up the silent trail. Back from it you come, triumphant, bearing the severed, gory head of your victim, which you deposit with pardonable pride in the basket at the side of your door. It may be the head of your enemy, your friend, or a stranger, according as competition, jealousy, or simple sportiveness has been your incentive to labor.
In any case, your reward is certain. The village men, in passing, stop to congratulate you, as your neighbor on weaker planes of life stops to admire and praise the begonias in your front yard. Your particular brown maid lingers, with fluttering bosom, casting soft tiger's eyes at the evidence of your love for her. You chew betel-nut and listen, content, to the intermittent soft drip from the ends of the severed neck arteries. And you show your teeth and grunt like a water-buffalo—which is as near as you can come to laughing—at the thought that the cold, acephalous body of your door ornament is being spotted by wheeling vultures in the Mindanaoan wilds.
Truly, the life of the merry head-hunter captivated me. He had reduced art and philosophy to a simple code. To take your adversary's head, to basket it at the portal of your castle, to see it lying there, a dead thing, with its cunning and stratagems and power gone— Is there a better way to foil his plots, to refute his arguments, to establish your superiority over his skill and wisdom?
The ship that brought me home was captained by an erratic Swede, who changed his course and deposited me, with genuine compassion, in a small town on the Pacific coast of one of the Central American republics, a few hundred miles south of the port to which he had engaged to convey me. But I was wearied of movement and exotic fancies; so I leaped contentedly upon the firm sands of the village of Mojada, telling myself I should be sure to find there the rest that I craved. After all, far better to linger there (I thought), lulled by the sedative plash of the waves and the rustling of palm-fronds, than to sit upon the horsehair sofa of my parental home in the East, and there, cast down by currant wine and cake, and scourged by fatuous relatives, drivel into the ears of gaping neighbors sad stories of the death of colonial governors.
When I first saw Chloe Greene she was standing, all in white, in the doorway of her father's tile-roofed 'dobe house. She was polishing a silver cup with a cloth, and she looked like a pearl laid against black velvet. She turned on me a flatteringly protracted but a wiltingly disapproving gaze, and then went inside, humming a light song to indicate the value she placed upon my existence.
Small wonder: for Dr. Stamford (the most disreputable professional man between Juneau and Valparaiso) and I were zigzagging along the turfy street, tunelessly singing the words of "Auld Lang Syne" to the air of "Muzzer's Little Coal-Black Coon." We had come from the ice factory, which was Mojada's palace of wickedness, where we had been playing billiards and opening black bottles, white with frost, that we dragged with strings out of old Sandoval's ice-cold vats.
I turned in sudden rage to Dr. Stamford, as sober as the verger of a cathedral. In a moment I had become aware that we were swine cast before a pearl.
"You beast," I said, "this is half your doing. And the other half is the fault of this cursed country. I'd better have gone back to Sleepy-town and died in a wild orgy of currant wine and buns than to have had this happen."
Stamford filled the empty street with his roaring laughter.