"'I've spent an awful lot of money, child,' says she. 'We'll have to economize for a while. You're the most beautiful creature I ever laid eyes on,' she says, 'and I don't want you to leave me.'
"Well, you see me, don't you? I walked straight to the Acropolis and asked for my job back, and I got it. How did you say your writings were getting along? I know you've lost out some by not having me to type 'em. Do you ever have 'em illustrated? And, by the way, did you ever happen to know a newspaper artist—oh, shut up! I know I asked you before. I wonder what paper he works on? It's funny, but I couldn't help thinking that he wasn't thinking about the money he might have been thinking I was thinking I'd get from old Maggie Brown. If I only knew some of the newspaper editors I'd—"
The sound of an easy footstep came from the doorway. Ida Bates saw who it was with her back-hair comb. I saw her turn pink, perfect statue that she was—a miracle that I share with Pygmalion only.
"Am I excusable?" she said to me—adorable petitioner that she became. "It's—it's Mr. Lathrop. I wonder if it really wasn't the money—I wonder, if after all, he—"
Of course, I was invited to the wedding. After the ceremony I dragged Lathrop aside.
"You are an artist," said I, "and haven't figured out why Maggie Brown conceived such a strong liking for Miss Bates—that was? Let me show you."
The bride wore a simple white dress as beautifully draped as the costumes of the ancient Greeks. I took some leaves from one of the decorative wreaths in the little parlour, and made a chaplet of them, and placed them on née Bates' shining chestnut hair, and made her turn her profile to her husband.
"By jingo!" said he. "Isn't Ida's a dead ringer for the lady's head on the silver dollar?"