Near Fourteenth street Elsie saw a placard tacked on the side of a doorway that read: “Fifty girls, neat sewers, wanted immediately on theatrical costumes. Good pay.”
She was about to enter, when a solemn man, dressed all in black, laid his hand on her arm.
“My dear girl,” he said, “I entreat you not to enter that dressing-room of the devil.”
“Goodness me!” exclaimed Elsie, with some impatience. “The devil seems to have a cinch on all the business in New York. What’s wrong about the place?”
“It is here,” said the solemn man, “that the regalia of Satan—in other words, the costumes worn on the stage—are manufactured. The stage is the road to ruin and destruction. Would you imperil your soul by lending the work of your hands to its support? Do you know, my dear girl, what the theatre leads to? Do you know where actors and actresses go after the curtain of the playhouse has fallen upon them for the last time?”
“Sure,” said Elsie. “Into vaudeville. But do you think it would be wicked for me to make a little money to live on by sewing? I must get something to do pretty soon.”
“The flesh-pots of Egypt,” exclaimed the reverend gentleman, uplifting his hands. “I beseech you, my child, to turn away from this place of sin and iniquity.”
“But what will I do for a living?” asked Elsie. “I don’t care to sew for this musical comedy, if it’s as rank as you say it is; but I’ve got to have a job.”
“The Lord will provide,” said the solemn man. “There is a free Bible class every Sunday afternoon in the basement of the cigar store next to the church. Peace be with you. Amen. Farewell.”
Elsie went on her way. She was soon in the downtown district where factories abound. On a large brick building was a gilt sign, “Posey & Trimmer, Artificial Flowers.” Below it was hung a newly stretched canvas bearing the words, “Five hundred girls wanted to learn trade. Good wages from the start. Apply one flight up.”