For an answer I got up and began to do a polka step around the supper table. I am sure Louisa thought the trouble had driven me mad; and I think the children hoped it had, for they tore after me, yelling with glee and emulating my steps. I was now something like their old playmate as of yore.
“The theatre for us to-night!” I shouted; “nothing less. And a late, wild, disreputable supper for all of us at the Palace Restaurant. Lumpty-diddle-de-dee-de-dum!”
And then I explained my glee by declaring that I was now a partner in a prosperous undertaking establishment, and that written jokes might go hide their heads in sackcloth and ashes for all me.
With the editor’s letter in her hand to justify the deed I had done, my wife could advance no objections save a few mild ones based on the feminine inability to appreciate a good thing such as the little back room of Peter Hef—no, of Heffelbower & Co’s. undertaking establishment.
In conclusion, I will say that to-day you will find no man in our town as well liked, as jovial, and full of merry sayings as I. My jokes are again noised about and quoted; once more I take pleasure in my wife’s confidential chatter without a mercenary thought, while Guy and Viola play at my feet distributing gems of childish humor without fear of the ghastly tormentor who used to dog their steps, notebook in hand.
Our business has prospered finely. I keep the books and look after the shop, while Peter attends to outside matters. He says that my levity and high spirits would simply turn any funeral into a regular Irish wake.
THE SPARROWS IN MADISON SQUARE
The young man in straitened circumstances who comes to New York City to enter literature has but one thing to do, provided he has studied carefully his field in advance. He must go straight to Madison Square, write an article about the sparrows there, and sell it to the Sun for $15.
I cannot recall either a novel or a story dealing with the popular theme of the young writer from the provinces who comes to the metropolis to win fame and fortune with his pen in which the hero does not get his start that way. It does seem strange that some author, in casting about for startlingly original plots, has not hit upon the idea of having his hero write about the bluebirds in Union Square and sell it to the Herald. But a search through the files of metropolitan fiction counts up overwhelmingly for the sparrows and the old Garden Square, and the Sun always writes the check.
Of course it is easy to understand why this first city venture of the budding author is always successful. He is primed by necessity to a superlative effort; mid the iron and stone and marble of the roaring city he has found this spot of singing birds and green grass and trees; every tender sentiment in his nature is battling with the sweet pain of homesickness; his genius is aroused as it never may be again; the birds chirp, the tree branches sway, the noise of wheels is forgotten; he writes with his soul in his pen—and he sells it to the Sun for $15.