“Are you mad, Vautrot?”
“Yes, I am mad!” Vautrot threw his hair back with a romantic gesture common to him, and, as he believed, to the poets-“Yes, I am mad with love and with pity, for I see your sufferings, pure and noble victim!”
The Countess only stared in blank astonishment.
“Repose yourself with confidence,” he continued, “on a heart that will be devoted to you until death—a heart into which your tears now penetrate to its most sacred depths!”
The Countess did not wish her tears to penetrate to such a distance, so she dried them.
A man on his knees before a woman he adores must appear to her either sublime or ridiculous. Unfortunately, the attitude of Vautrot, at once theatrical and awkward, did not seem sublime to the Countess. To her lively imagination it was irresistibly ludicrous. A bright gleam of amusement illumined her charming countenance; she bit her lip to conceal it, but it shone out of her eyes nevertheless.
A man never should kneel unless sure of rising a conqueror. Otherwise, like Vautrot, he exposes himself to be laughed at.
“Rise, my good Vautrot,” the Countess said, gravely. “This book has evidently bewildered you. Go and take some rest and we will forget this; only you must never forget yourself again in this manner.”
Vautrot rose. He was livid.
“Madame la Comtesse,” he said, bitterly, “the love of a great heart never can be an offence. Mine at least would have been sincere; mine would have been faithful: mine would not have been an infamous snare!”