Monsieur de Camors — Complete

by Octave Feuillet

His policy as regarded M. des Rameures was as simple as it was clever. It has already been clearly indicated, and further details would be unnecessary. Profiting by his growing familiarity as neighbor, he went to school, as it were, at the model farm of the gentleman-farmer, and submitted to him the direction of his own domain. By this quiet compliment, enhanced by his captivating courtesy, he advanced insensibly in the good graces of the old man. But every day, as he grew to know M. de Rameures better, and as he felt more the strength of his character, he began to fear that on essential points he was quite inflexible.

After some weeks of almost daily intercourse, M. des Rameures graciously praised his young neighbor as a charming fellow, an excellent musician, an amiable associate; but, regarding him as a possible deputy, he saw some things which might disqualify him. Madame de Tecle feared this, and did not hide it from M. de Camors. The young Count did not preoccupy himself so much on this subject as might be supposed, for his second ambition had superseded his first; in other words his fancy for Madame de Tecle had become more ardent and more pressing than his desire for the deputyship. We are compelled to admit, not to his credit, that he first proposed to himself, to ensnare his charming neighbor as a simple pastime, as an interesting adventure, and, above all, as a work of art, which was extremely difficult and would greatly redound to his honor. Although he had met few women of her merit, he judged her correctly. He believed Madame de Tecle was not virtuous simply from force of habit or duty. She had passion. She was not a prude, but was chaste. She was not a devotee, but was pious. He discerned in her at the same time a spirit elevated, yet not narrow; lofty and dignified sentiments, and deeply rooted principles; virtue without rigor, pure and lambent as flame.

Nevertheless he did not despair, trusting to his own principles, to the fascinations of his manner and his previous successes. Instinctively, he knew that the ordinary forms of gallantry would not answer with her. All his art was to surround her with absolute respect, and to leave the rest to time and to the growing intimacy of each day.

There was something very touching to Madame de Tecle in the reserved and timid manner of this ‘mauvais sujet’, in her presence—the homage of a fallen spirit, as if ashamed of being such, in presence of a spirit of light.

Never, either in public or when tete-a-tete, was there a jest, a word, or a look which the most sensitive virtue could fear.

This young man, ironical with all the rest of the world, was serious with her. From the moment he turned toward her, his voice, face, and conversation became as serious as if he had entered a church. He had a great deal of wit, and he used and abused it beyond measure in conversations in the presence of Madame de Tecle, as if he were making a display of fireworks in her honor. But on coming to her this was suddenly extinguished, and he became all submission and respect.

Not every woman who receives from a superior man such delicate flattery as this necessarily loves him, but she does like him. In the shadow of the perfect security in which M. de Camors had placed her, Madame de Tecle could not but be pleased in the company of the most distinguished man she had ever met, who had, like herself, a taste for art, music, and for high culture.

Thus these innocent relations with a young man whose reputation was rather equivocal could not but awaken in the heart of Madame de Tecle a sentiment, or rather an illusion, which the most prudish could not condemn.

Libertines offer to vulgar women an attraction which surprises, but which springs from a reprehensible curiosity. To a woman of society they offer another, more noble yet not less dangerous—the attraction of reforming them. It is rare that virtuous women do not fall into the error of believing that it is for virtue’s sake alone such men love them. These, in brief, were the secret sympathies whose slight tendrils intertwined, blossomed, and flowered little by little in this soul, as tender as it was pure.

M. de Camors had vaguely foreseen all this: that which he had not foreseen was that he himself would be caught in his own snare, and would be sincere in the role which he had so judiciously adopted. From the first, Madame de Tecle had captivated him. Her very puritanism, united with her native grace and worldly elegance, composed a kind of daily charm which piqued the imagination of the cold young man. If it was a powerful temptation for the angels to save the tempted, the tempted could not harbor with more delight the thought of destroying the angels. They dream, like the reckless Epicureans of the Bible, of mingling, in a new intoxication, the earth with heaven. To these sombre instincts of depravity were soon united in the feelings of Camors a sentiment more worthy of her. Seeing her every day with that childlike intimacy which the country encourages—enhancing the graceful movements of this accomplished person, ever self-possessed and equally prepared for duty or for pleasure—as animated as passion, yet as severe as virtue—he conceived for her a genuine worship. It was not respect, for that requires the effort of believing in such merits, and he did not wish to believe. He thought Madame de Tecle was born so. He admired her as he would admire a rare plant, a beautiful object, an exquisite work, in which nature had combined physical and moral grace with perfect proportion and harmony. His deportment as her slave when near her was not long a mere bit of acting. Our fair readers have doubtless remarked an odd fact: that where a reciprocal sentiment of two feeble human beings has reached a certain point of maturity, chance never fails to furnish a fatal occasion which betrays the secret of the two hearts, and suddenly launches the thunderbolt which has been gradually gathering in the clouds. This is the crisis of all love. This occasion presented itself to Madame de Tecle and M. de Camors in the form of an unpoetic incident.