"Must I cut out your tongue, or cut off your ears, young Arthur?" said M. de Bévallan, going towards him and indicating my presence with a hasty gesture.
A delightful conversational pell-mell then followed, which introduced me to all the horses, all the dogs, and all the ladies of the neighbourhood. It would not be a bad thing for ladies if, for once in their lives, they could hear the kind of conversation which goes on between men in the effusive mood that follows a copious repast. It would show them exactly the delicacy of our manners, and the amount of confidence they are calculated to inspire. I am not in the least prudish, but in my opinion this conversation outran the limits of the freest jesting; it touched on everything, gaily outraged everything, took on a gratuitous tone of universal profanation. My education is, perhaps, incomplete, for it has left me with a certain reserve of reverence, that I think should be maintained even in the wildest extravagances of high spirits.
But we have in the France of to-day our young America, which is not happy unless it can blaspheme a little after drinking; we have the future hopes of the nation, those amiable little ruffians, without father or mother, without God or country, who seem to be the raw products of some heartless and soulless machine, which has accidentally deposited them on this planet not at all to its beautification.
In short, M. de Bévallan, who had appointed himself professor of cynicism to these beardless roués, did not please me, nor do I think that I pleased him. I retired very early on the ground of fatigue.
At my request old Alain procured a lantern and guided me across the park to my future quarters. After a few minutes' walk, we crossed a wooden bridge over a stream and found ourselves in front of a massive arched doorway, flanked by two small towers. It was the entrance to the ancient château. A ring of aged oak and pine shut in this feudal fragment, and gave it an air of profound seclusion. It is in this ruin that I am to live. My apartments run above the door from one of the towers to the other, and consist of three rooms very neatly hung with chintz. I am not displeased with this gloomy abode; it suits my fortunes. As soon as I had got rid of Alain I began to write the account of this eventful day, breaking off occasionally to listen to the gentle murmur of the stream under my window, and to the call of the legendary owl celebrating his doleful loves in the neighbouring woods.
July 1st.
I must now try to pick up the thread of my personal and private life, which for the past two months has been somewhat lost among the daily duties of my post.
The day after my arrival I stayed at home for some hours, studying the ledgers and papers of my predecessor, le père Hivart, as they call him here. I lunched at the château, where only a few of last night's guests remained. Mme. Laroque had lived a great deal in Paris before her father-in-law's health condemned her to perpetual rusticity. In her retirement she had kept her taste for the culture, elegance, or frivolity which had centred in the Rue du Bac when Mme. de Staël and her turban held sway. She had also visited most of the large cities of Europe, and had brought away from them an interest in literature far exceeding the ordinary Parisian curiosity and erudition. She read a great many newspapers and reviews, and endeavoured to follow, as far as it was possible at such a distance, the movement of that refined civilization of which museums and new books are the more or less ephemeral fruit and flowers. We were talking at lunch about a new opera, and Mme. Laroque asked M. de Bévallan a question about it which he could not answer, although he professes to be well informed of all that takes place on the Boulevard des Italiens. Mme. Laroque then turned to me with an air that showed how little she expected her man of business to be acquainted with such matters; but it happened, unfortunately, that these were the only "affairs" with which I was familiar. I had heard in Italy this very opera which had just been played in France for the first time. The very reserve of my answers excited Mme. Laroque's curiosity; she questioned me closely, and before long put me in possession of all the enthusiasms, souvenirs, and impressions she had got in her travels. Soon we were discussing the most celebrated theatres and galleries of the Continent like old friends, and when we left the table our conversation was so animated that, to avoid breaking the thread of it, Mme. Laroque almost unconsciously took my arm. We continued our exchange of sympathies in the drawing-room, Mme. Laroque gradually dropping the kindly, patronizing tone which had rather grated on me hitherto.
She confessed that she was possessed by a mania for the theatre, and that she thought of having some theatricals at the château. She asked my advice on the management of this amusement, and I gave her some details of particular plays that I had seen in Paris and St. Petersburg. Then, as I had no intention of abusing her good-nature, I rose quickly, saying that I meant to inaugurate my work at once by examining a large farm about two leagues from the château. This announcement seemed to fill Mme. Laroque with consternation; she looked at me, fidgeted among her cushions, held her hands to the brazier, and at last said in a low voice:
"Oh, what does it matter? You can put it off."