I turned my horse and we set off at a gallop.
As we rode along, I tried to account for this unexpected fancy which had an air of premeditation. I imagined that time and reflection had weakened the first impression that calumnies had made on Mlle. Marguerite. Apparently, she had conceived some doubts of Mlle. Hélouin's veracity, and had seized an opportunity to make, in an indirect way, a reparation which might be due to me. My mind full of such preoccupations, I gave little thought to the particular object of this strange ride. Still, I had often heard the tower of Elven described as one of the most interesting ruins of the country. I had never gone along either of the roads—from Rennes or from Josselin—which lead to the sea, without looking longingly at the confused mass rearing up suddenly among the distant heaths like some huge stone on end. But I had had neither time nor opportunity to examine it.
Slackening our pace, we passed through the village of Elven, which preserves to a remarkable extent the character of a mediæval hamlet. The form of the low, dark houses has not changed for five or six centuries. You think you are dreaming, when, looking into the big arched bays which serve as windows, you see the groups of mild-eyed women in sculpturesque costume plying their distaffs in the shade, and talking in low tones an unknown tongue. These gray spectral figures seem to have just left their tombs to repeat some scene of a bygone age, of which you are the only witness. It gives a sense of oppression. The sluggish life that stirs around you in the single street of the village has the same stamp of archaic strangeness transmitted from a vanished world.
A little way from Elven we took a cross-road that brought us to the top of a bare hillock. Thence, though still some distance off, we could plainly see the feudal colossus crowning a wooded height in front of us. The lande we were on sloped steeply to some marshy meadows inclosed by thickets.
We descended the farther side and soon entered the woods. Then we struck a narrow causeway, the rugged pavement of which must once have rung to the hoofs of mail-clad horses. For some time I had lost sight of the tower of Elven, and could not even guess where it was, when all at once it stood out like an apparition from among the foliage a few paces in front of us. The tower is not a ruin; it preserves its original height of more than a hundred feet, and the irregular courses of granite which make up its splendid octagonal mass give it the appearance of a huge block cut out but yesterday by some skilful chisel. It would be difficult to imagine anything more proud, sombre, and imposing than this old donjon, impassible to the course of ages, and lost in the depths of the forest. Full-grown trees have sprung up in the deep moats which surround it, and their tops scarcely touch the openings of the lowest windows. This gigantic vegetation, which entirely conceals the base of the edifice, completes its air of fantastic mystery. In this solitude, among these forests, before this mass of weird architecture, which seems to start up suddenly out of the earth, one thinks involuntarily of those enchanted castles in which beautiful princesses slept for centuries awaiting a deliverer.
"So far," said Mlle. Marguerite, to whom I had endeavoured to convey these impressions, "this is all I have seen of it, but if you want to wake the princess, we can go in. I believe there is always somewhere near a shepherd or shepherdess who has the key. Let us tie up the horses and search, you for the shepherd, and I for the shepherdess."
We put the horses into a small inclosure near and separated for a little while, but found neither shepherd nor shepherdess. Of course this increased our desire to visit the tower. Crossing a bridge over the moat, we found to our great surprise that the heavy door was not closed. We pushed it and entered a dark and narrow space choked with rubbish, which may have been the guard-room. We passed thence into a large, almost circular hall, where an escutcheon in the chimneypiece still displayed the bezants of a crusader. A large window faced us, divided by the symbolic cross clearly carved in stone. It lighted all the lower part of the room, leaving the vaulted and ruined ceiling in shadow. At the sound of our steps a flock of birds whirled off, sending the dust of ages on to our heads.
By standing on the granite benches, which ran like steps along the side of the walls, in the embrasure of the window, we could see the moat outside and the ruined parts of the fortress. But as we came in we had noticed a staircase cut out of the solid wall, and we were childishly eager to extend our discoveries. We began the ascent, I leading, and Mlle. Marguerite following bravely, and managing her long skirts as best she could. The view from the platform at the top is vast and exquisite. The soft hues of twilight tinged the ocean of half-golden autumnal foliage, the gloomy marshes, the fresh pastures, and the distant horizons of intersecting slopes, which mingled and succeeded each other in endless perspective. Gazing on this gracious landscape, in its infinite melancholy, the peace of solitude, the silence of evening, the poetry of ancient days fell like some potent spell upon our hearts and spirits. This hour of common contemplation and emotions of purest, deepest pleasure, no doubt the last I should spend with her, I entered into with an almost painful violence of enjoyment. I do not know what Marguerite was feeling; she had sat down on the ledge of the parapet, and was gazing into the distance in silence.
I cannot say how many moments passed in this way. When the mists gathered in the lower meadows, and the distant landscape began to fade into the growing darkness, Marguerite rose.
"Come," she said in a low voice, as if the curtain had fallen on some beautiful spectacle; "come; it's over."