The old partisan's eye lighted. "Now they're shouting! That's like old times! Yes, do it again, boy! Blaine! Blaine! James G. Blaine!"

He let us lead him to the carriage, the rapturous smile still on his lips. The "rooter" and I wormed our way through the crowd back to the seats which the kind Canton man had kept for us.

We were quite like old acquaintances now; and he turned to me at once. "Was there ever a politician or a statesman, since Henry Clay, loved so well as James G. Blaine?"


MAX—OR HIS PICTURE

A knock sounded on the principal's door. "That's Florence," she thought; and she sighed in the same breath. The principal had secretly liked Florence Raimund, the best of her two hundred girls, for three years; and, sometimes, she suspected that Florence knew it. Miss Wing sat at her desk. It was a large desk of oak, always kept in blameless order. No one could recall seeing more than one letter at a time lying on the blotter. Any others, yet unread, lay in the wicker tray to the left; the letters read but not answered were in the wicker tray to the right; the answered letters were in appropriate pigeonholes or in ashes, Miss Wing being a firm believer in fire as a confidential agent. Above the desk hung the most interesting object in the room, to the school-girls; in fact it would be hard to gage justly the influence this one, mute and motionless, had over their young imaginations; or how far it was responsible for the rose-tinted halo that beyond doubt, glorified the principal for them. The object was a picture, the picture of a young man in the uniform of a captain in the German cuirassiers. His thick light hair was brushed back from a fine and candid forehead. A smile creased his cheek under the warlike curl of his mustachios. It was a smile so happy and so friendly in its happiness, that it won the beholder. The eyes were not large, but even in the black and white of a photograph (the portrait was an ordinary cabinet carte) they seemed to sparkle. The young fellow's figure was superb, and held with a military precision and jauntiness. One said, looking at the whole presence, "This man is a good fellow." Viewing him more closely, one might add, "And he is in love." The picture was framed handsomely in a gilded frame. On the desk below, an exquisite vase of Venice lifted a single, perfect rose. For fifteen years a flower had always bloomed thus. Miss Wing had hung the picture herself, fifteen years ago. Then, she was the new principal, and the school was but half its size; and the village people exclaimed at trusting "such a girl" with so much responsibility. During those fifteen years the new building had been built, the school had grown and flourished; and the gray had crept into Margaret Wing's bright hair. She had so often put on mourning for her near kindred that she had assumed it as her permanent garb. To the certain (and ecstatic) knowledge of the school, she had refused divers offers of marriage from citizens of good repute and substance. But during all the changing years, the picture had kept its place and the fresh flowers had bloomed below. No girl could remember the desk without the picture; and when the old girls visited the school, their eyes would instinctively seek it in its old place; always with a little moving of the heart. Yet no one ever alluded to it to the principal; and no one, not her most trusted teacher, nor her best loved pupil, had ever heard the principal speak of it. The name of the pictured soldier, his story, his relation to Miss Wing; Miss Wing's nearest kindred and friends knew as much about all these as the school—and that was nothing. Nevertheless, the school tradition reported part of a name on the authority of a single incident. Years ago an accident happened to the picture. It was the principal's custom to carry it with her on her journeys, however brief; always taking it down and putting it back in its place herself. On this occasion the floor had been newly polished, and in hanging the picture her chair on which she stood slipped and she fell, while the picture dropped out of her grasp. One of the girls, who was passing, ran to her aid; but she had crawled toward the picture and would have it in her hands before she allowed the girl to aid her to rise—a circumstance, you may be sure, not likely to escape the sharp young eyes. Neither did these same eyes miss the further circumstance that the jar had shifted the carte in the frame and a line of writing, hitherto hidden, was staring out at the world. The hand was the sharp, minute German hand, but the words were English; the girl took them in at an eyeblink, as she handed the picture to Miss Wing: "Thine for ever, Max." Miss Wing made no comment; perhaps she supposed that the girl had not seen, perhaps—in any case she was silent.

Of course, the new light flooded the school gossip immediately. But there never came any more; every new girl was free to work her own will on Miss Wing's romance. Was "Max" dead? Had they parted because of any act on the woman's part? Surely he could not have been false, to receive that daily oblation of flowers. It was more likely that she thus expressed an imperishable regret. Youth, ever fanciful, played with all manner of dainty and plaintive variations on the theme. Its very mystery was its poignant charm; since each tender young soul created a new romance and a new appeal. Elusive and pathetic, it hovered on the edge of these young lives, like the perfume of a flower. And its influence was the more potent that it asked for nothing. It is not too much to say that the spectacle of that gentle and reticent faithfulness was the strongest element in the school atmosphere. Certainly, because of it, Miss Wing had greater power over her scholars. She was a woman of ability and gentle force; by nature a little aloof, a little precise, able to feel deeply, but not able to express her sympathies or her pain. Without her mysterious sorrow, she would have seemed to young girls a thought too admirable; they would have been chilled by her virtues; but as it was, their perception that she had lived deeply, that she had suffered, that she had been loved and had loved eternally, opened their hearts. They would have admired her, now they adored her. By degrees, and insensibly to herself, she became the confessor of her little world. After they left school, her girls brought her their perplexities of the heart. Wives came to her with cruel dilemmas which they shrank from revealing to their own mothers—perhaps because the mothers could not be trusted to plead for the erring husband so well; for a woman who loves complains, not to be justified herself, but to hear her lover's misconduct excused and his love proved against her doubts. Before they left school, the girls confessed their faults and failings and strivings of conscience with the same eagerness with which they asked counsel in their innocent romances of friendship or the sorrows of trigonometry, and they accepted any penance directed, not only with patience, but a kind of exaltation natural to youth, which finds a secret joy in the exercise of its own fortitude.

To-day, however, Miss Wing sat before the picture which so many young eyes had studied with such vague, yet ardent, sympathy, and pondered over a confidence that had not come. The lack of its coming hurt her; and the tap on her door was welcome, for she thought, "It is she—coming to tell me. Oh, I hope he is the right man."

At her response, the door swung open with a jerk, and the dark-eyed girl who entered was catching her breath, although she tried to make the quick intakes noiseless. There was a look of pale resolution on her features.

"Have you come to let me congratulate you, my dear?" said the principal, rising. The girl colored scarlet. "I've come because I had to, because I couldn't deceive you," she blurted. "Miss Wing, it isn't so. I let Miss Parker think so; but I'm not engaged to him."