The Cradle of the Christ: A Study in Primitive Christianity

by Octavius Brooks Frothingham

This being discovered, the conclusion follows swiftly, that the divine Logos could not discourse otherwise. His addresses, like his deeds, are designed to be revelations of himself; expressions, not of his thoughts, but of his being, not of his character, but of his nature. They are the Word made articulate, as his wonders are the Word made mighty, as his form is the Word made visible. A human being, seeking to convince, persuade, instruct mankind, will from necessity pursue a different course from the divine Reason presenting itself to "the world." Its very audiences are impersonal, consisting not of individuals or of parties, but of abstractions labelled "Jews," who come like shadows, so depart.

So unhuman is the Christ, so entirely without near relations with mankind, that when he has left the world, a substitute may be provided for him, in the shape of the Holy Spirit, another personality proceeding from him and his Father, and appointed to complete his work; to reprove the world of sin, of righteousness, and of judgment; to guide the disciples into all truth; to bring to their remembrance all that had been said to them; to comfort them, and abide with them for ever. The idea loses itself in vagueness at times, now being identified with the Christ, now appearing as a Spirit of Truth, now being an indwelling presence, now an effluence from the Logos. But all the while something like an individual consciousness is preserved; the spirit is as palpable as the Logos himself was. Here is already the germ of a trinity maturing within the bosom of the Hebrew monotheism. The process has been simple; the consecutive steps have been inevitable. But in the process the solid ground of Judaism has been left; the massive substance of the ancient faith has been melted into cloud.

How entirely nebulous it has become under the action of speculative mind is strikingly apparent on examination of the ethical characteristics of the fourth gospel. The concrete virtues of the ancient race, the honest human righteousness and charity have disappeared, and in their place are certain spectral "graces" which have quality of a technical, but little of a human sort. That, according to the Logos doctrine men are saved, not by natural goodness or piety but by faith in the Christ, is written all over the book. But this is not the point. It is not enough that character has no saving power, it is dispensed with; and instead of it, something is set up which possesses none of the elements of character. The compact principles of human duty which hold so large a place in the Old Testament scriptures, and are so essential in the earliest Messianic conception, are not found here, at all. The sermon on the mount is omitted. The beatitudes are unmentioned. The parables are not remembered. There is no chapter in the book that bears comparison in point of moral vigor or nobleness with the twelfth chapter of Romans, or the thirteenth chapter of Corinthians. Humanity has shrunk to the dimensions of an incipient Christendom. The men and women whom the Jesus of Matthew addresses, to whom Paul makes appeal, are men and women no more; not even Jews by race, not even a knot of radical Jews; they are "disciples," "believers," "brethren." Christians, not fellow men, are to love one another. "So shall ye be my disciples, if ye have love one for another." "By this shall all men know that ye are my disciples." Of the broad human love, the recognition of brotherhood on the human ground, duty to love those who are not disciples, there is not a word. The common faith, not the common nature, is the bond. The promises in the fourteenth chapter, the warnings in the fifteenth, the counsel in the sixteenth, the consecration in the seventeenth are all for the believers, not for the doers; for the doers only so far as they are believers, and within the limits of the believing community. The tender word "love" shrinks to ecclesiastical proportions. "If a man love me he will keep my words; and my Father will love him, and we will come to him, and make our abode with him;" but the words are not words of exhortation to practical righteousness, they are words of admonition against unbelief. "If ye love me, keep my commandments;" but the commandments are not the wholesome enactments of the Hebrew decalogue, but a bidding to "walk by the light while ye have the light," "to do the will of Him that sent me," which is "to believe on him whom He hath sent." "He that believeth not is condemned already in his not believing in the only begotten Son of God." There is no sweeter word than "love;" there is no more comprehensive law than the law of love; but when love is changed from a virtue to a sentiment, and when the duty of practising it is limited to members of a doctrinal communion, the practical issue is more likely to be sectarian narrowness than human fellowship.

As the speculation rises the spectral character of the morality becomes more startling. The so-called epistles of John carry the Logos idea considerably further than the gospel does. The mission of the Logos is more sharply discriminated. He is described as a sin offering. "He is the propitiation for our sins, and not for ours only, but also for the sins of the whole world." "The blood of Jesus Christ cleanses us from all sin." "He was manifested to take away our sins, and in Him is no sin." The word "manifested" is the key to the doctrine. "The Son of God was manifested that He might destroy the works of the devil." It is the same conception as in the gospel; the Prince of Light confronting the Prince of Darkness, shaming him and attracting away his subjects. The anti-Christ now comes into view; the sin unto death is named; the second advent is announced, though not according to the millennial anticipations of a former day. "He that denieth that Jesus is the Christ is a liar." "Every spirit that confesses that Jesus Christ is come in the flesh is of God." "Every spirit which confesseth not that Jesus Christ is come in the flesh is not of God." Belief or unbelief in the incarnation of the Logos is made the test of one's spiritual relationship, marking him as a candidate for eternal felicity in the realm of the blessed, or as a victim of endless misery in the realm of Satan. Thus the very heart of natural goodness is eaten out. Of virtue there remains small trace. A great deal of very strong language is used about sin, but sins are not particularized. Sin, as an abstraction, a principle, a power, a force, a deep seated taint in the nature, ineradicable except by the infusion of a new spirit of life, is represented as the dreadful thing; and Love, another abstraction, is raised to honor as a spiritual grace, equally unconnected with the human will. "Beloved, let us love one another; for love is of God, and every one that loveth is born of God and knoweth God. He that loveth not knoweth not God, for God is Love." The words have a deep and tender sound. But the consideration that "the beloved" are those only who confess that Jesus Christ is come in the flesh, that all others are the reverse of "beloved," causes that neither the depth nor the sweetness remains. The love does not mean compassion, or pity, or good-will, or helpfulness; it has no reference to the poor, the needy, the sick, sorrowful, wicked; it has no downward look, is destitute of humility, is as far as can well be from the love described by Paul in his perfect lyric. It is, we may say, the opposite of that, being a quality that distinguishes the elect from the non-elect, and makes their special election the more sure.

The literary character of the fourth gospel must be remarked on as a peculiar indication of the mental exhaustion that accompanies the last stages of an intellectual movement. The literature of the century preceding Jesus fairly throbs with personal vitality. It is scarcely more than an expression of individual energies. The earliest writings of the New Testament, the genuine letters of Paul, are animated in every line by his own vehement personality; the speculative portions of them stir the blood, so real are the issues presented, so vital are the interests at stake. Shapeless, and sometimes incoherent, the thoughts tumble out of the writer's overcharged heart. The Christ is an ideal personage, but his mission is tremendously real; we are moved by a battle cry as the apostle's ideas burst upon us.

The literature of the succeeding period, though more elaborate and self-conscious, bearing traces of reflection, and even artifice in composition, is yet warm with the presence of a real purpose. But the fourth gospel is a purely literary work; a composition, the production of an artist in language. Its author, perhaps because he was simply an artist in language, is unknown. Trace of an historical Jesus in it there is none. No breath from the world of living men blows through it; no stir of social existence, no movement of human affairs ruffles its calm surface. The people are not real people, the issues are not real issues, the conflict is not a real conflict. We have a book, not a gospel.

The writer formally announces the subject of his spiritual drama, and then proceeds to develop it, according to approved rules of literary art. First comes the prologue, setting forth in a few sententious passages the cardinal idea of the piece. This occupies eighteen verses of the first chapter, and is followed by the introduction of John the Baptist and his testimony. This occupies eighteen verses more. The manifestation of the Logos to the first company of disciples is described with due circumstance in the remainder of the chapter. The symbolical opening of the public ministry, at Cana, the first open "manifestation of the glory" in the miracle of turning water into wine, by which is signified the calling to substitute a spiritual for a natural order, occupies the first ten verses of the second chapter. Then the ministry of revelation begins, with signs and demonstrations. The city of Jerusalem is chosen as the scene of it; and the scene never changes for longer than a moment, and then it changes without historical, or biographical motive. The cleansing of the temple is placed at the beginning, with undisguised purpose to announce his claim, and the dialectical contest is opened. Nicodemus, "a ruler of the Jews," seeks a nocturnal interview, betrays the ignorance of the kingdom which characterizes all save the regenerate, even the wisest, and gives occasion to the Christ to declare the intrinsic superiority of the Son of God, and the conditions of salvation through him; Nicodemus furnishing the starting point for a lofty declamation which soars beyond him into the region of transcendental ideas. The Baptist, instead of doubting, as in Matthew, and sending an embassy to the Christ to ascertain the reasons of his not disclosing himself, is himself questioned by skeptical disciples, and re-assures them by words that are an echo of the Christ's own.

The interview with the woman of Samaria is introduced for the purpose of extracting another confession of the Christ's supremacy from a different order of mind. Nicodemus represented Judaism in its pride of authority and learning. The woman of Samaria represents the ignorant, superstitious, yet stubborn idolatry reckoned by the Jews as no better than heathenism; her "five husbands" are the five sects into which Judaism was divided. She too is pictured to us as sitting by a well and drawing water. The conversation begins with the Christ's declaration of his power to create perennial springs of water in the heart, and leads immediately up to the great disclosure of himself. Superstition, like superciliousness, listens and is persuaded. The mention of Galilee is necessary to account for the episode in Samaria, but nothing occurs there. The next scene is laid again in Jerusalem. The water of Bethesda is brought into competition with the quickening spirit of the Christ; the cure of the sick man introduces a mystical discourse on the spiritual sufficiency of the Son of God.

Another scene is presented, and once more in Jerusalem. Another series of tableaux is arranged. This time the Christ is pictured as breaking bread and walking on water, whence occasion is taken to descant on the bread of life. For the purpose of making a fresh appearance in Jerusalem, and presenting his claim under a new aspect, Galilee is called into requisition again, but as usual, the drama is enacted in Jerusalem, which is the centre of the opposition. This time, the Christ, having declined to go up in his own character to meet his critics, goes up in disguise, incognito, and amazes the congregated multitude by his superb assumptions of authority, and his overwhelming denunciations of all who do not receive him; denunciations so uncompromising, that dissensions are created. "Some would have taken him, but none laid hands on him." As always, the demonstration results in bringing out his friends and enemies, in showing who were and who were not his own, which is the aim and end of every manifestation. The Logos presents himself, makes his statement, asserts his prerogative, offers the alternative of spiritual life or death, and retires, leaving the result to the spiritual laws.

The story of the woman taken in adultery which immediately follows this passage, probably made no part of the original gospel, as it appears out of all connection. It is pronounced by some of the best critics to be ungenuine. The obvious improbability of its incidents, the locality of it,—the Mount of Olives,—the Christ's mysterious proceeding of writing on the ground, and his unaccountable verdict, deprive the tale of all but literary interest. It is interesting in a literary point of view, or would be if it were set in literary relations; for it illustrates the Christ's supremacy, his supernatural power of rebuke and insight, his authority to grant absolution on purely theological grounds. The doctrine that none but the guiltless are entitled to pronounce sentence on guilt would put an end to censorship of every kind, but is quite in accordance with the ethical tone of the book. The author however, turns the incident to no account, but proceeds with new scenes in his speculative drama. "I am the light of the world; he that followeth me shall not walk in darkness, but shall have the light of life;" the Christ enters once more into the old debate, once more the claim is challenged, once more the angry discussion flows on, becoming, at this juncture more violent than ever; terrible denunciations leap from the divine lips; the adversaries are called a devil's brood, liars, murderers at heart. At the close of the final outburst, the unseen hands raise the visionary stones, but "Jesus hid himself, went out of the temple, going through the midst of them, and so passed by."