But Sopater the parodist, in his poem entitled "The Initiated," says that the pectis is an instrument with two strings, saying—

The pectis, proud of its barbaric muse,
With its two strings was placed within my hand.

The instrument called pariambis is mentioned by Epicharmus, in his Periallus, in this way—

But Semele doth dance and he doth sing
Tunefully on his pariambis lyre,
And she rejoices at the rapid song.

Now it was Alexander of Cythera, according to the account given by Juba, who completed the psaltery with its full number of strings. And he, when he had grown old in the city of the Ephesians, suspended this instrument in the temple of Diana, as being the most skilful invention he had made with reference to his art. Juba mentions also the lyrophœnix and the Epigonius, which, though now it is transformed into the upright psaltery, still preserves the name of the man who was the first to use it. But Epigonius was by birth an Ambraciot, but he was subsequently made a citizen of Sicyon. And he was a man of great skill in music, so that he played the lyre with his bare hand without a plectrum. For the Alexandrians have great experience and skill in all the above-named instruments and kinds of flutes. And whichever of them you wish me to try, I will exhibit my own skill before you, though there are many others in my country more musical and skilful than I am.

[[285]] 82. But Alexander, my fellow-citizen, and he has only lately died; having given a public exhibition of his skill on the instrument called the triangle, made all the Romans so music-mad that even now most people recollect the way in which he used to play. And Sophocles speaks of this triangle in his Mysians, saying—

The constant music of the Phrygian
Tender triangle, and the concerted strains
Of the shrill Lydian pectis sounded too.

And in his Thamyras he also mentions it. But Aristophanes, in his Daitaleis, and Theopompus, in his Penelope, likewise speak of it. And Eupolis, in his Baptæ, says—

Who plays the drum with wondrous skill,
And strikes the strings of the triangle.

And the instrument called the pandurus is mentioned, as has been said before, by Euphorion, and by Protagorides, in the second book of his treatise on the Assemblies in honour of Daphne. But Pythagoras, who wrote a book on the Red Sea, says that the Troglodytæ make the panduri out of the daphne which grows on the seashore.