58. There is also the cottabis. Harmodius of Lepreum, in his treatise on the Laws and Customs of Phigalea, going through the entertainments peculiar to different countries, writes as follows:—"When they have performed all these purificatory ceremonies, a small draught is offered to each person to drink in a cottabis of earthenware; and he who offers it says, 'May you sup well.'" But Hegesander the Delphian, in his Commentaries (the beginning of which is "In the best Form of Government"), says—"That which is called the cottabus has been introduced into entertainments, the Sicilians (as Dicæarchus relates) having been the first people to introduce it. And such great fondness was exhibited for this amusement, that men even introduced into entertainments contests, which were called cottabian games; and then cups of the form which appeared to be most suitable for such an exercise were made, called cottabides. And besides all this, rooms were built of a round figure, in order that all, the cottabus being placed in the middle, might contest the victory, all being at an equal distance, and in similar situations. For they vied with one another, not only in throwing their liquor at the mark, but also in doing everything with elegance; for a man was bound to lean on his left elbow, and, making a circuit with his right hand, to throw his drops (τὴν λάταγα) over gently—for that was the name which they gave to the liquor which fell from the cup: so that some prided themselves more on playing elegantly at the cottabus than others did on their skill with the javelin."
59. There is also the cratanium. But perhaps this is the same cup, under an ancient name, as that which is now called the craneum: accordingly, Polemo (or whoever it is who wrote the treatise on the Manners and Customs of the Greeks), speaking of the temple of the Metapontines which is at Olympia, writes as follows:—"The temple of the Metapontines, in which there are a hundred and thirty-two silver phialæ, and two silver wine-jars, and a silver apothystanium, and three gilt phialæ. The temple of the Byzantians, in which there is a figure of Triton, made of cypress-wood, holding a silver cratanium, a silver siren, two silver carchesia, a silver culix, a golden wine-jar, and two horns. But in the old temple of Juno, there are thirty silver phialæ, two silver cratania, a silver dish, a golden apothystanium, a golden crater (the offering of the Cyrenæans), and a silver batiacium."
There is also the crounea. Epigenes, in his Monument, says—
A. Crateres, cadi, holcia, crounea,
B. Are these crounea?
A. Yes, indeed these are.
There is the cyathis also. This is a vessel with a great resemblance to the cotyla. Sophron, in his play entitled the Buffoon, represents the women who profess to exhibit the goddess as present, as saying—
Three sovereign antidotes for poison
Are buried in a single cyathis.
60. Then there is the κύλιξ. Pherecrates, in his Slave-Tutor, says—
Now wash the κύλιξ out; I'll give you then
Some wine to drink: put o'er the cup a strainer,
And then pour in some wine.
But the κύλιξ is a drinking-cup made of earthenware, and it is so called from being made circular (ἀπὸ τοῦ κυλίεσθαι) by the potter's wheel; from which also the κυλικεῖον, the place in which the cups are stored up, gets its name, even when the cups put away in it are made of silver. There is also the verb κυλικηγορέω, derived from the same source, when any one makes an harangue over his cups But the Athenians also call a medicine chest κυλικὶς, because it is made round in a turning-lathe. And the κύλικες, both at Argos and at Athens, were in great repute; and Pindar mentions the Attic κύλικες in the following lines—
O Thrasybulus, now I send
This pair of pleasantly-meant odes
As an after-supper entertainment for you.
May it, I pray, be pleasing
To all the guests, and may it be a spur
To draw on cups of wine,
And richly-fill'd Athenian κύλικες.