Tyc. How so?

Si. Why, if his food is provided out of his own means, that way of life has many consequences; reckon them up. You will admit that, if the principle of your life is to be pleasure, all your appetites have to be satisfied?

Tyc. I agree.

Si. Well, a large income may possibly meet that requirement, a scanty one certainly not; consequently, a poor man cannot be a philosopher, or in other words attain the end, which is Pleasure. But neither will the rich, who lavishes his substance on his desires, attain it. And why? Because spending has many worries inseparably attached to it; your cook disappoints you, and you must either have strained relations with him, or else purchase peace and quiet by feeding badly and missing your pleasure. Then similar difficulties attend your steward’s management of the house. You must admit all this.

Tyc. Oh, certainly, I agree.

Si. In fact, something or other is sure to happen and cut off Epicurus from his end. Now the sponger has no cook to be angry with, no farm, steward or money to be annoyed at the loss of; at the same time he lives on the fat of the land, and is the one person who can eat and drink without the worries from which others cannot escape.

That sponging is an art, has now been abundantly proved; it remains to show its superiority; and this I shall take in two divisions: first, it has a general superiority to all the arts; and, secondly, it is superior to each of them separately. The general superiority is this: the arts have to be instilled by dint of toil, threats and blows—regrettable necessities, all of them; my own art, of which the acquisition costs no toil, is perhaps the only exception. Who ever came away from dinner in tears? with the schoolroom it is different; or who ever went out to dinner with the dismal expression characteristic of going to school? No, the sponger needs no pressing to get him to table; he is devoted to his profession; it is the other apprentices who hate theirs, to the point of running away, sometimes. And it is worth your notice that a parent’s usual reward for a child who makes progress in the ordinary arts is just the thing that the sponger gets regularly. The lad has done his writing well, they say; let him have something nice: what vile writing! let him go without. Oh, the mouth is very useful for reward and punishment.

Again, with the other arts the result comes only after the learning is done; their fruits alone are agreeable; ‘long and steep the road thereto.’ Sponging is once more an exception, in that profit and learning here go hand in hand; you grasp your end as soon as you begin. And whereas all other arts are practised solely for the sustenance they will ultimately bring, the sponger has his sustenance from the day he starts. You realize, of course, that the farmer’s object in farming is something else than farming, the carpenter’s something different from abstract carpentering; but the sponger has no ulterior object; occupation and pre-occupation are for him one and the same.

Then it is no news to any one that other professions slave habitually, and get just one or two holidays a month; States keep some monthly and some yearly festivals; these are their times of enjoyment. But the sponger has thirty festivals a month; every day is a red-letter day with him.

Once more, success in the other arts presupposes a diet as abstemious as any invalid’s; eat and drink to your heart’s content, and you make no progress in your studies.