Poly. Not yet: the highest praise remains. Born to magnificence, she clothes not herself in the pride of wealth; listens not to Fortune’s flattering tale, who tells her she is more than human; but walks upon the common ground, far removed from all thought of arrogance and ostentation. Every man is her equal; her greeting, her smile are for all who approach her; and how acceptable is the kindness of a superior, when it is free from every touch of condescension! When the power of the great turns not to insolence but to beneficence, we feel that Fortune has bestowed her gifts aright. Here alone Envy has no place. For how should one man grudge another his prosperity when he sees him using it with moderation, not, like the Homeric Ate, an oppressor of the weak, trampling on men’s necks? It is otherwise with those meaner souls—victims of their own ignoble vanity—, who, when Fortune has raised them suddenly beyond their hopes into her winged aerial car, know no rest, can never look behind them, but must ever press upwards. To such the end soon comes: Icarus-like, with melted wax and moulting feathers, they fall headlong into the billows, a derision to mankind. The Daedaluses use their waxen wings with moderation: they are but men; they husband their strength accordingly, and are content to fly a little higher than the waves,—so little that the sun never finds them dry; and that prudence is their salvation.
Therein lies this lady’s highest praise. She has her reward: all men pray that her wings may never droop, and that blessings may increase upon her.
Ly. And may the prayer be granted! She deserves every blessing: she is not outwardly fair alone, like Helen, but has a soul within more fair, more lovely than her body. It is a fitting crown to the happiness of our benevolent and gracious Emperor, that in his day such a woman should be born; should be his, and her affections his. It is blessedness indeed, to possess one of whom we may say with Homer that she contends with golden Aphrodite in beauty, and in works is the equal of Athene. Who of womankind shall be compared to her
In comeliness, in wit, in goodly works?
Poly. Who indeed?—Lycinus, I have a proposal to make. Let us combine our portraits, yours of the body and mine of the soul, and throw them into a literary form, for the enjoyment of our generation and of all posterity. Such a work will be more enduring than those of Apelles and Parrhasius and Polygnotus; it will be far removed from creations of wood and wax and colour, being inspired by the Muses, in whom alone is that true portraiture that shows forth in one likeness a lovely body and a virtuous soul.
DEFENCE OF THE ‘PORTRAIT-STUDY’
Polystratus. Lycinus
Poly. Well, here is the lady’s comment. _Your pages are most kind and complimentary, I am sure, Lycinus. No one would have so over-praised me who had not felt kindly towards me. But if you would know my real feeling, here it is. I never do much like the complaisant; they always strike me as insincere and wanting in frankness. But when it comes to a set panegyric, in which my much magnified virtues are painted in glaring colours, I blush and would fain stop my ears, and feel that I am rather being made fun of than commended.
Praise is tolerable up to the point at which the object of it can still believe in the existence of the qualities attributed to him; pass that point, and he is revolted and finds the flatterer out. Of course I know there are plenty of people who are glad enough to have non-existent qualities added to their praises; who do not mind being called young and lusty in their decline, or Nireuses and Phaons though they are hideous; who, Pelias-like, expect praise to metamorphose or rejuvenate them.
But they are mistaken. Praise would indeed be a most precious commodity if there were any way of converting its extravagances into solid fact. But there being none, they can only be compared to an ugly man on whom one should clap a beautiful mask, and who should then be proud of those looks that any one could take from him and break to pieces; revealed in his true likeness, he would be only the more ridiculous for the contrast between casket and treasure. Or, if you will, imagine a little man on stilts measuring heights with people who have eighteen inches the better of him in stocking feet_.