Siegfried's horn was to his lips and he was blowing it; a splendid figure, eager, expectant.… Kaya stretched her throat like a bird: "If it should be barred," she said to herself, "as it was before, and the orchestra began with the theme, and I couldn't sing!" She trembled a little.
So the first scene passed; and the second.
The Dragon was on the stage now, and Siegfried was fighting him. The hot breath poured from the great, red nostrils; the sword flashed. The battle grew fiercer.… Kaya leaned over, stooping in the swing, and gazing. "Siegfried has wounded him," she whispered,—"in a moment the sword will have reached his heart.… Ah, now—it has struck him—he is dying! As soon as he is dead! As soon as he is—dead."
The orchestra was playing passionately, and she knew every note; the bird motive came nearer and nearer. Already her prototype was being prepared in the flies, and the wires made ready. She clung to the rope, swinging.… Ah, how good the Kapellmeister had been to her; how good! It was his very interest in her that had made him severe, she knew that. She must sing her best, and not wound him by failure.
The motive came nearer.
Siegfried was standing just below her now. She took a deep breath and her lips parted. He was peering up at her, searching through the leaves, and the bird on its wire fluttered across the stage.… She was singing. The notes, high and pure, poured out of her throat. The bird fluttered past.
Fragment of "Siegfried"
She swayed, with her head leaning back against the ropes, and sang—and sang. Her throat was like a tunnel and her voice was like a stream running through it, clear and glorious. Siegfried looked up and started. The orchestra played on.