Consummate sweet, and calm."
But it was not merely as singer that I wished to know him; nor to watch his dainty and graceful ways as he went about the daily duties of food-hunting, singing, and driving off marauders, which occupied his hours from dawn to late evening, and left him spirit enough for many a midnight rhapsody. It was in his domestic relations that I desired to see him,—the wooing of the bride and building the nest, the training of mocking-bird babies and starting them in the world; and no loitering and dreaming in the pine grove, however tempting, would tell me this. I must follow him to his more secluded retreats, see where he had set up his homestead.
Thoreau—or is it Emerson?—says one always finds what he looks for, and of course I found my nests. One pair of birds I noticed through the courtship, the selection of the site, the building and occupying of the nest; another couple, already sitting when discovered, I watched through the incubation and nursing of the little ones, and at last assisted in giving them a fair chance for their lives and a start in the world. It may be thought that my assistance was not particularly valuable; the birds shared this opinion; none the less, but for my presence not one of those birdlings would be free and happy to-day, as I hope and believe they are. To the study of these two households I gave nearly every hour of daylight, in all weathers, for a month, and of the life that went on in and around them I can speak from personal knowledge; beyond that, and at other times in his life, I do not profess to know the mocking-bird.
The bird whose nest-making I witnessed was the one whose performance I chose to consider a welcome, and his home was in the pine grove, a group of about twenty trees, left from the original forest possibly, at any rate nearly a hundred feet high, with all branches near the top, as though they had grown in close woods. They were quite scattering now, and lower trees and shrubs flourished in their shade, making a charming spot, and a home worthy even of this superb songster. The bird himself was remarkably friendly. Seeming to appreciate my attitude of admiring listener, he often perched on the peak of a low roof (separated only by a carriage drive from the upper "gallery" where I sat), and sang for hours at a time, with occasional lunches; or, as Lanier, his most ardent lover, has it,—
"Then down he shot, bounced airily along
The sward, twitched in a grasshopper, made song
Midflight, perched, prinked, and to his art again."
Whatever he did, his eyes were upon me; he came to the corner nearest me to sing, and was so intelligent in look and bearing that I believe he liked a quiet listener.
His wooing, however, the bird did not intend me to see, though two or three times I surprised him at it. The first part that I chanced upon was curious and amusing. A female, probably the "beloved object," stood demurely on one of the dead top branches of a large tree down in the garden, while her admirer performed fantastic evolutions in the air about her. No flycatcher ever made half the eccentric movements this aerial acrobat indulged in. He flew straight up very high, executing various extraordinary turns and gyrations, so rapidly they could not be followed and described, and came back singing; in a moment he departed in another direction, and repeated the grotesque performance. He was plainly exerting himself to be agreeable and entertaining, in mocking-bird style, and I noticed that every time he returned from an excursion he perched a little nearer his audience of one, until, after some time, he stood upon the same twig, a few inches from her. They were facing and apparently trying to stare each other out of countenance; and as I waited, breathless, to see what would happen next, the damsel coquettishly flitted to another branch. Then the whole scene was repeated; the most singular and graceful evolutions, the songs, and the gradual approach. Sometimes, after alighting on a top twig, he dropped down through the branches, singing, in a way to suggest the "dropping song" so graphically described by Maurice Thompson, but never really falling, and never touching the ground. Each performance ended in his reaching the twig which she occupied and her flight to another, until at last, by some apparently mutual agreement, both flew, and I saw no more.
A remarkable "dance" which I also saw, with the same bird as principal actor, seems to me another phase of the wooing, though I must say it resembled a war-dance as well; but love is so like war among the lower orders, even of men, that it is hard to distinguish between them. I shall not try to decide, only to relate, and, I beg to say, without the smallest exaggeration. The dances I saw were strictly pas-de-deux, and they always began by a flash of wings and two birds alighting on the grass, about a foot apart. Both instantly drew themselves up perfectly erect, tail elevated at an angle of forty-five degrees, and wings held straight down at the sides. Then followed a most droll dance. Number one stood like a statue, while number two pranced around, with short, mincing steps and dainty little hops which did not advance him an inch; first he passed down the right, then turned and went down the left, all in the queer, unnatural manner of short hops and steps, and holding himself rigidly erect, while number one always faced the dancer, whichever way he turned. After a few moments of this movement, number one decided to participate, and when his partner moved to the right he did the same; to the left he still accompanied him, always facing, and maintaining the exact distance from him. Then number two described a circle around number one, who turned to face him with short hops where he stood. Next followed a chassé of both birds to the right; then a separation, one dancing to the right and the other to the left, always facing, and always slowly and with dignity. This stately minuet they kept up for some time, and appeared so much like a pair of old-fashioned human dancers that when, on one occasion, number two varied the performance by a spring over the head of his partner, I was startled, as if an old gentleman had suddenly hopped over the head of the grand dame his vis-à-vis. When this strange new figure was introduced, number one proved equal to the emergency, hopping backward, and turning so dexterously that when his partner alighted they were facing, and about a foot apart, as before. The object of all this was very uncertain to a looker-on. It might be the approaches of love, and quite as probably the wary beginnings of war, and the next feature of the programme was not explanatory; they rose together in the air ten feet or more, face to face, fluttering and snatching at each other, apparently trying to clinch; succeeding in doing so, they fell to the ground, separated just before they touched it, and flew away. O wings! most maddening to a bird-student.