In Nesting Time

by Olive Thorne Miller

Among his other peculiarities this bird scarcely ever seemed to feel the need of utterance of any soft. On the rare occasions of any excitement he delivered a sharp, metallic "click"; a sudden alarm, like the attack of another bird, called out a war-cry loud and shrill, and very odd; and in the contest over the important question of precedence at the bath he sometimes uttered a droll squeal or whining sound. Besides these, he made singular noises in bathing and dressing his feathers, which are not uncommon among birds, but are difficult to describe. They always remind me of the rubbing of machinery in need of oil.

This beautiful bird was not easily frightened; the only time I ever saw him seriously disturbed was at the sight of a stuffed screech-owl, which I brought into the room without thinking of its probable effect. I placed it on a shelf in a closet, and I soon noticed that the moment the closet door was opened the grosbeak became greatly agitated; he darted across the room to a certain retreat where he always hurried on the first alarm of any sort, and remained in retirement till the fancied danger was over, while the others flew madly about. In this place he stood posturing in much excitement, and uttering at short intervals his sharp "click." For some time I did not understand his conduct, nor think of connecting it with the owl on the shelf; but when it did occur to me I tried the experiment of bringing it out into the room, when I immediately saw, what I should have remembered at once, that it was an object of terror to all the birds.

The song of the rose-breasted grosbeak is celebrated, and I hoped my bird would become acquainted with us, and let out his voice; but I was disappointed in both respects, for he never became familiar in the least, and though not at all afraid he was very shy; and furthermore, upon my bringing into the room two small musical thrushes, the grosbeak—feeling, as I said, no need of utterance—readily relapsed into silence, and all the winter never sang a note. His conduct before the looking-glass indicated that he was not naturally so silent, and that he could be social with one who understood his language. Being unable to get another grosbeak, I tried to give him companionship by placing a small glass against one end of his cage. On seeing his reflection the bird was greatly agitated, began his low, whining cry, postured, bowed, turned, moved back and forth, and at last left the cage and looked for the stranger behind the glass. Not finding him he returned, had another interview with the misleading image, and ended as before in seeking him outside. At length he seemed to be convinced that there was something not quite natural about it, for, feeling hungry, he went, with many a backward glance at the glass, to the floor, took a hemp-seed and carried it out into the room to eat, a thing he never did at any other time.

I spoke of my bird's posturing; that was one of his pleasures, and almost his only exercise while he lived in the house. He was not graceful, his body was not flexible, and his tail was far from being the expressive member it is with many birds, it always stood straight out; he could raise it with a little jerk, and he had a beautiful way of opening it like a fan, but I never saw it droop or stir in any other way. In these movements his head and tail maintained the same relative position to the body, as though they were cut out of one piece of wood; but he bowed and leaned far over on one side, with his short legs wide spread; he passed down a perch, alternately crouching and rising, either sideways or straight; he jerked his whole body one side and then the other, in a manner ludicrously suggestive of a wriggle; he sidled along his perch, holding his wings slightly out and quivering, then slowly raised them both straight up, and instantly dropped them, or held them half open, fluttering and rustling his feathers.

He had also a curious way of moving over a long perch: he proceeded by sidewise hops, and at each hop he turned half round, that is, the first step he faced the window, the next the room, the third the window again, and so on to the end, coming down at every jump as though he weighed a pound or two. He was much addicted to sitting with breast-feathers puffed out covering his toes, or sometimes with wings held a little way from his body, showing the delicate rose-colored lining, as though conscious how pretty he looked; and among other eccentric habits he often thrust out his tongue, first one side and then the other, apparently to clean his bill.

Bathing and getting dry was conducted by this peculiar bird in a manner characteristic of himself. Slow to make the plunge, he was equally deliberate in coming out of the bath. When fairly in, he first thrust his head under, then sat up in the drollest way, head quite out of water and tail lying flat on the bottom, while he spattered vigorously with wings and tail. When he stepped out, the bath was over; he never returned for a second dip, but passed at once to a favorite corner of the window-bar, and stood there a most disconsolate-looking object, shivering with cold, with plumage completely disheveled, but making not the least effort to dry his feathers for several minutes. If the sun shone, he indulged himself in a sunning, erecting the feathers of his chin till he looked as if he wore a black muffler, opening his tail like a fan, spreading and crossing his wings over the back. This attitude made a complete change in his looks, showing white where black should be, and vice versa. This was the result of his peculiar coloring. Next the skin all feathers were the common slate-color, but outside of that each feather was black and white. On the back the black was at the tip, and the white between that and the slate-color; on the breast this order was reversed, and the white at the tip. Thus when wet the white and black were confused, and he resembled an object in patch-work. The rose-colored shield was formed by the slightest possible tips of that color on the white ends, and it was wonderful that they should arrange themselves in an unbroken figure, with a sharply defined outline, for each feather must have lain in its exact place to secure the result.

The different ways in which birds greet advancing night has long been a subject of interest to me, some restless and nervous, others calm, and a few wild and apparently frightened. In no one thing is there more individuality of action, and in my room that winter were exhibited every evening quite a variety of methods. A brown thrush or thrasher on the approach of darkness became exceedingly restless, flying about his cage, going over and under and around his perches, posturing in extraordinary ways, uttering at every moment a strange, harsh-breathing sound. Two smaller thrushes met the evening hour by fluttering, and a queer sort of dance elsewhere described. Two orchard orioles saluted the twilight by gymnastics on the roof of the cage. The bluebirds made careful and deliberate arrangements for a comfortable night, while the grosbeak differed from all in simply fluffing himself out, and settling himself, on the first hint of dark, in the chosen corner, whence he scarcely moved, and as soon as objects grew indistinct he laid his head quietly in its feather pillow and stirred no more. The brightest gaslight an hour later did not disturb him; if a noise wakened him, he simply looked up to see what was the matter, but did not move, and soon turned back to his rest, when slight jerks of his wings, and faint complaining sounds, told that he not only slept, but dreamed.

The bearer of the rosy shield was a persistent individual; having once taken a notion into his head, nothing would make him forget it or change his mind. Fully settled in his preference for a certain perch on the window, the coldest day in winter, with the wind blowing a gale through the crack between the sashes, would not make him desert it. Driving him away from the spot had not the slightest effect on him, he returned the moment he was left in peace. Thinking that another cage was more convenient for his use, nothing short of absolute shutting the door would keep him out of it. Nor did he forget about it either; if the door was accidentally left open, after being closed for weeks, he entered as quickly as though he had been in every day.

This bird never showed any playfulness of disposition; indeed, he had too much dignity to do so. He never flew around the room as though he liked to use his wings, although they were perfect, and there was nothing to prevent if he chose. Nor did he display curiosity about his surroundings. The only things he appeared to notice were the doings of the birds and people in the room, and the moving panorama without, which latter he always viewed with equanimity, although the sound of a hand-organ aroused him to a sort of mild fury.

As spring advanced, the beautiful grosbeak grew tuneful and often added his exquisite song to the rippling music of the small thrushes, and—with a little stretch of the imagination as to its duration—