For three years there lived in my house one of the remarkable birds described in their native land as "invisible, mysterious birds with the heavenly song." I have hesitated to write of him, because I feel unable to do justice either to himself or to his musical abilities; and, moreover, I am certain that what I must say will appear extravagant. Yet when I find grave scientific books indulging in a mild rapture over him; when learned travelers, unsuspected of sentimentality or exaggeration, rave over him; when the literary man, studying the customs, the history, and the government of a nation, goes out of his way to eulogize the song of this bird, I take heart, and dare try to tell of the wonderful song and the life no less noble and beautiful.

Among eight or ten American birds of as many kinds, the solitaire, or, as he is called, the clarin, reminds one of a person of high degree among the common herd. This may sound absurd; but such is the reserve of his manner, the dignity of his bearing, the mystery of his utterances, and the unapproachable beauty of his song, that the comparison is irresistible. The mockingbird is a joyous, rollicking, marvelous songster; the wood thrush moves the very soul with his ecstatic notes; the clarin equals the latter in quality, with a much larger variety. He is an artist of the highest order; he is "God's poet," if any bird deserves the name; he strikes the listener dumb, and transports him with delight.

The solitaires, Myadestes, or fly-catching thrushes, are natives of the West Indies and Mexico, with one branch in the Rocky Mountains. My bird was M. obscurus, and came from Mexico. I found him in a New York bird-store, where he looked about as much at home among the shrieking and singing mob of parrots and canaries as a poet among a howling rabble of the "great unwashed."

NO DESIRE TO LIVE.

Upon a casual glance he might be mistaken for a catbird, being about his size, with plumage of the same shade of dark slate, with darker wings and tail and slightly lighter breast; but a moment's examination showed his great difference from that interesting bird. His short, sharp, and wide beak indicated the flycatcher, and his calm dark eyes were surrounded with delicate lines of minute white feathers, a break at each corner just preventing their being perfect rings.

Being a warm admirer of the catbird, I noticed the stranger first for the resemblance; but a few moments' study of his look and manner drew me strongly to himself, and though I desired only our native birds, I could not resist him.

When introduced to his new quarters in my house, the clarin did not flutter; he did not resist. He rested on the bottom of the cage where he was placed, and looked at me with eyes that said, "What are you going to do with me?" He had already accepted his imprisonment; he did not expect to be free, and it was plain that he no longer cared for his life. If he were to be subjected to the indignity of traveling in a box among common birds, as he had been sent from the bird-store where I found him, he had no desire to live. It required much coaxing to make him forget the outrage, and I am glad to say it was the last affront he suffered. From that day he was treated as lie deserved, being always at liberty in the room, and enjoying the distinguished consideration of a houseful of people and birds. Before he came to understand that his life had changed, however, I feared he would die. He did not mope, he simply cared for nothing. For more than twenty-four hours he crouched on the floor of his cage, utterly indifferent even to a comfortable position; food he would not look at. I talked to him; I screened him from noisy neighbors; I made his cage attractive; I spared no effort to win him,—and at last I succeeded. He took up again the burden of life, hopped upon a perch, and began to dress his feathers. Soon he was induced to eat, and then he began to notice the bird voices about him. Like other of the more intelligent birds, once won, he was entirely won. He was never in the least wild with me after that experience; never hesitated to put himself completely in my power, or to avail himself of my help if he needed it in any way. Says another bird-lover, "Let but a bird—that being so free and uncontrolled—be willing to draw near and conclude a friendship with you, and lo, how your heart is moved!"

A MYSTICAL CALL.

It is hard to tell in what way this bird impressed every one with a sense of his imperial character, but it is true that he did. He never associated with the other birds, and he selected for his perches those in the darker part of the room, where his fellows did not go. Favorite resting-places were the edge of a hanging map, the top of a gas fixture, and a perch so near my seat that most birds were shy of it. Though extravagantly fond of water, requiring his bath daily, he greatly disliked to bathe in the dishes common to all. Like a royal personage, he preferred his bath in his own quarters.

Moreover, the clarin never added his voice to a medley of music. If moved to sing while others were doing so, he first reduced them to silence by a peculiar mystical call, which had a marked effect not only upon every bird in the room, but upon the human listeners as well. This call cut into the ripple of sweet sounds about him like a knife, loud, sharp, and incisive, instantly silencing every bird. It consisted of two notes exactly one octave apart,—the lower one first,—uttered so nearly together that they produced the effect of one double note. After a pause of a few seconds it was repeated, as clear and distinct as before, with mouth open wide. It was delivered with the deliberation of a thrush; the bird standing motionless except the tail, which hung straight down, and emphasized every note with a slight jerk. This loud call, having been given perhaps twenty times, began to diminish in volume, with longer intervals between, till it became so faint it could scarcely be heard,—a mere murmur with closed bill, yet so remarkable and so effective that for some time not a bird peeped. Occasionally, while the room was quiet, he began to sing; but again it appeared that it was his purpose merely to hush the babble of music, for, having secured his beloved stillness, the beautiful bird remained a long time at rest, sitting closely on his perch, plainly in deep content and happiness. Sometimes, when out in the room, he delivered the call with extraordinary excitement, turning from side to side, posturing, flirting one wing or both, lifting them quite high and bringing them down sharply; but when in the cage at dusk—his favorite time—he stood, as I said, motionless and without agitation.