And first of all I recalled my firm persuasion of that Sunday afternoon that Audrey Cunningham had made some sort of a discovery. It might have been an accidental one, or she might merely not have rested until she had made it, but a discovery she had made, and it had to do with the hole in the studio floor. I remembered too my own pacings, eye-measurements, judgment of angles, and my slight chagrin that Philip had frustrated my further investigations by his removal of the key from the cellar door. And it seemed to me that again everything seemed to come round to that cellar of Esdaile's—the cellar on which Hubbard had instantly fastened as holding the answer to the riddle, the cellar in which Philip had spent that unaccountable half-hour and over which he had since so jealously watched, yet the self-same cellar into which both Rooke and Mrs. Cunningham had since descended and found ... nothing.
Yet instantly all my former objections rose again as vividly as ever—the extreme physical improbability that Philip could have seen anything through that peep-hole, the utter unlikelihood that he should have had his eye at it at that particular moment of time, the virtual impossibility that he should have thought of the hole at all on hearing the crash.
And yet in this hole had been tightly jammed the ring now lying in Mollie's lap.
Suddenly Mollie surprised me by looking up and almost brightly smiling. She smoothed out the sandhills and picked up the ring from her lap.
"Well," she said in a tone of relief, "that makes an immense difference. I'm awfully glad you told me. Shall we be getting back?"
But this, it struck me, was rather rushing matters. I thought I had a right to know just a little more than that. Therefore I did not rise.
"One moment," I said. "I should like to know why you said that 'a thing like that would make it definitely off.'"
She smiled again, with a sort of affectionate raillery.
"Oh ... and you're supposed to understand women!"