I am not going to trouble you with all he said, but only with as much as I saw fit to make a mental note of. At this stage of our Case he was simply a vain and interfering busybody, who had had a rather better view of things than anybody else. But first of all I noted the obstinacy with which he dwelt on the fact that Monty Rooke had been first on the roof, several minutes before the arrival of the police. There was, of course, nothing in this, excepting always Westbury's dull insistence on it.
Next, he described in detail the bringing-down of the two men. There was nothing remarkable here either, except that the living one had "kept on moving his hand all the time like this"—illustrated by an aimless fluttering of the right hand, now a few inches this way, now a few inches that.
But I had an involuntary start when Mr. Westbury pompously announced that he "had offered himself to Inspector Webster as a witness in case he should be wanted." It was, of course, just what such a fellow would do, if only out of vain officiousness, and I don't quite know why I didn't like the sound of it. I had gone into that Saloon Bar to glean, if possible, what people at large thought of flying over London, what their temper would be if there were very much of this, and similar things; but instead I had apparently hit on some sort of a human bramble, who hooked himself on everywhere with a tenacity out of all proportion to the value of any fruit he was likely to bear, and who would scratch unpleasantly when you tried to dislodge him. There was nothing to be uneasy about, but the whole of the events of that morning were so far inexplicable, and to that extent intimidating.
"Yes, me and Inspector Webster will probably be having a talk about things this evening," Mr. Westbury continued with hearty relish. "We're neighbors in Lennox Place, the very street behind Lennox Street—you can see right across from my bedroom window. So I had my choice of two good views in a manner of speaking.... Five-and-twenty to two. Not worth while going home for lunch now. May as well be hung for a sheep as a lamb. I wonder if they've got a snack of anything here?"
If they had I have not the least doubt he got it.
III
Musingly I mounted an eastward-bound bus and sought my office. The more I thought things over the less able I became to shake off the sense of accumulating trifles, of gathering events. And it was as I passed through Pimlico that yet another incident, temporarily forgotten, came back into my mind. This was the curious way in which Esdaile had snapped—it had been a snap—when Rooke had wanted to sweep up the broken picture-glass, to draw the studio blinds back again, and to return the bottle of curaçao to its place in the cellar. "You've done enough for one morning," Esdaile had said. What had Monty done that was "enough"?
Now I have known Monty Rooke, as I told you, for a dozen years, and in that time I have learned not to be surprised at anything he does provided it is sufficiently out of the way, unprofitable to himself, and unlike anything an ordinary person would have done. I will give you an instance of what I mean.
A year or two before there had arrived one night at his studio a bundle of washing, fresh from the laundry. This bundle, on being opened, had proved to contain a fully-developed infant girl of a fortnight old, no doubt the pledge of some unknown laundrymaid's betrayed trust. As a joke you will see the possibilities of this, particularly in the merry Chelsea Arts Club; but don't imagine that Monty was a butt. What he did was enough to dispel that idea. He had immediately wanted to adopt the foundling, and would certainly have done so but for the strong dissuasion of his friends; whereupon he had made a drawing instead, a drawing quite singular for its wistfulness and emotion and depth, of the infant just as it had arrived, with the newly-ironed shirts and socks for its cot, deriving none knew whence, cast for none knew what part in Life, save for Monty friendless, the close of one obscure drama but the beginning of another.