He thought it better that somebody should investigate before the women began to move about too freely.
IV
One order at any rate was superfluous—that to telephone to the police. Aeroplanes do not crash in Chelsea in the middle of the morning unobserved. Already the windows on the other side of the street were packed with faces, and every face was turned in the same direction.
This was towards the torn fabric of a parachute that had lodged partly on the studio roof, partly in the branches of the mulberry in the garden.
Hubbard ran out through the French windows and looked up. Tapes trailed and rippled and fluttered in the merry morning breeze, and the gray silk ballooned and rose and fell. But the sound of running feet warned Hubbard not to pause. He strode quickly down the flagged path, shot the catch of the wrought-iron gate in the faces of the too curious, and then hurried into the house again. He addressed Rooke, who stood by the group of shocked women.
"Here, you seem to know this house pretty well. How do we get up there?" he asked.
"Bathroom window, I should think," Rooke replied. "This way."
The bathroom lay at the end of a short passage on the floor above. The three of us dashed upstairs. Rooke tried the bathroom door, but found it locked. "Damn!" he muttered, and then I reminded him that possibly he had the key of it in his pocket.
It was oddly irritating to watch him try first one key and then another. We wanted to tell him to make haste, as if he could have made any greater haste than he was doing. Then luckily he hit on the right one. The door opened, we sprang across the cork-covered floor, and Rooke began to tug at the window-catch. The window was one of these late-Victorian windows with a colored border and white incised stars, and already the tragic huddle a dozen yards away could be seen, violently crimson through the red squares and morbidly blue through the blue ones.