"Do you mean that the 'Novum's' going to refuse advertisements?"
"I mean that I blue-pencilled that one myself."
"And what about the others—the 'Eden' and the Suffrage Shop and Wyron's Lectures?"
"They're different. They are the Cause. You said yourself that the 'Novum' was going to be a sort of generalissimo, and these the brigades or whatever they're called. They are, at any rate, doing the Work. Is that doing any Work, I should like to know?"
Mr. Strong had refrained from flippancy.—"I see what you mean," he had replied equably. "At the same time, if you're going to refuse advertisements the thing's going to cost a good deal more money."
"Well?" Amory had replied, as who might say, "Has money been refused you yet?"
Strong had given a compliant shrug—"All right. That means I censor the advertisements, I suppose. New industry. Very well. The 'Eden' and Wyron's Lectures and Week-end Cottages and the Plato Press only, then. I'll strike out that 'Platinum: False Teeth Bought.' But I warn you it will cost more."
"Never mind that."
And so the incident had ended.
But perhaps Mrs. Pratt's sensitiveness of eye was not the only cause of the rejection of that offending advertisement. Another reason might have lain in her present relation with her sometime fellow-student of the McGrath School of Art, Dorothy Tasker. For that relation had suffered a change since the days when the two girls had shared a shabby day-studio in Cheyne Walk, Chelsea. At that time, now five years ago, Amory Towers had been thrust by circumstances into a position of ignoble envy of her friend. She had been poor, and Dorothy's people (or so she had supposed) very, very wealthy. True, poor Dorothy, without as much as a single spark of talent, had nevertheless buckled to, and, in various devious ways, had contrived to suck a parasitic living out of the wholesome body of real art; none the less, Amory had conceived her friend to be of the number of those who play at hardship and independence with a fully spread table at home for them to return to when they are tired of the game. But the case was entirely changed now. Amory frankly admitted that she had been mistaken in one thing, namely, that if those people of Dorothy's had more money, they had also more claims upon it, and so were relatively poor. Amory herself was now very comfortably off indeed. By that virtue and good management which the envious call luck, she had now money, Cosimo's money, to devote to the regeneration of the world. Dorothy, married to the good-tempered and shiftless Stan, sometimes did not know which way to turn for the overdue quarter's rent.