Then with a little rush, her discovery came upon her....
She had got something from Mr. Strong at last!
Her head drooped a little away from him, and the hand that had hung laxly over her knee dropped gently to the rug. It was a delicious moment. So all these weeks and weeks Mr. Strong had cared that that foot, that arm, had been exposed to the gaze of anybody who might have entered the house! He had not said so; he did not say so now; but that was it! More, he had cared so much that it had quite distorted his judgment of Mr. Prang. And all at once Amory remembered something else—a glance Edgar Strong had given her, neither more nor less eloquent than the look he was bending on the casts now, one afternoon when she had lain in the hammock in the garden and Mr. Prang, bending over her, had ventured to examine a locket about her throat....
So that was at the bottom of his reserve! That was the meaning of his "buts"!...
Amory did not move. She wished it might last for hours. Mr. Strong had taken a step towards the casts, but, changing his mind, had turned away again; and she was astonished to find how full of meaning dozens of his past gestures became now that she had the key to them. And she knew that the casts were beautiful. Brucciani would have bought them like a shot. And she seemed to see Mr. Strong's look, piteous and frowning both at once, if she should sell them to Brucciani, and Brucciani should publish them to hang in a hundred studios....
The silence between them continued.
But speak she must, and it would be better to do so before he did; and by and bye she lifted her head again. But she did not look directly at him.
"It was very foolish," she murmured with beautiful directness and simplicity.
Mr. Strong said nothing.
"But for weeks I've been intending to move them."