"Tell me, quick, Stan!" she gasped.
"You laughed rather at the Fortune & Brooks idea, didn't you?"
"Oh, don't joke, darling!——"
"Eh?... I say, you're upset. Anything been happening to-day? Look here, let me get you a drink or something!"
"Do you mean—you've got a job, Stan?"
"Rather!—I say, do let me get you a drink——"
"I shall faint if you don't tell me——"
She probably would....
Stan had got a job. What was it, this job that had enabled Stan to come home, before he had lifted a finger to earn it, with masses of silver in his pocket, and the clean quids sticking up out of the lump like almonds out of a trifle?
—He would have to lift more than a finger before that money was earned. He would have to hang on wires by his toes, and to swim streams, and to be knocked down by runaway horses, and to dash into burning houses, and to fling himself on desperate men, and to ascend into the air in water-planes and to descend in submarines into the deep. Hydrants would be turned on him, and sacks of flour poured on him, and hogsheads of whitewash and bags of soot. Not for his brains, but for his good looks and steady nerves and his hard physical condition had he been the chosen one among many. For Stan had joined a Film Producing Company, less as an actor than as an acrobat. Go and see him this evening. He is as well worth your hour as many a knighted actor. And the scene from "Quentin Durward," in which Bonthron is strung up with the rope round his neck, is not fake. They actually did string Stan up, in the studio near Barnet that had been a Drill Hall, and came precious near to hanging him into the bargain.