But here Amory was actually able to tell Edgar Strong something. She happened to have been reading about suttee in a feminist paper only a day or two before. No doubt Edgar read nothing but figures and grey oblongs.

"Oh, no," she said softly but with a knowledge of her ground. "That is, I know it's prohibited, but there was a case only a little while ago. I read it in the 'Vaward.' And it was awful, but splendid, too. She was a young widow, and I'm sure she had a lovely face, because she'd such a noble soul.—Don't you think they often go together?"

But Edgar did not reply. He had walked to a little shelf full of reference books and books for review, and was turning over pages.

"And the whole village was there," Amory continued, "and she walked to the pyre herself, and said good-bye to all her relatives, and then——"

Edgar shut his book with a slap.—"Abolished in 1829," he said. "It's a criminal offence under the Code."

Amory smiled tenderly. Abolished!... Dear, fellow, to think that in such matters he should imagine that his offences and Codes could make any difference! Of course the "Vaward" had made a mere Suffrage argument out of the thing, but to Amory it had just showed how cruel and magnificent and voluptuous and grim the East could be when it really tried.... And then all at once Amory thought, not of any particular poem she had ever read, but what a ripping thing it would be to be able to write poetry, and to say all those things that would have been rather silly in prose, and to put heaps of gorgeous images in, like the many-breasted what-was-her-name, and Thingummy—what-did-they-call-him—the god with all those arms. And there would be carpets and things too, and limbs, not plaster ones, but flesh and blood ones, as Edgar said his own were, and—and—and oh, stacks of material! The rhymes might be a bit hard, of course, and perhaps after all it might be better to leave poetry to somebody else, and to concentrate all her energies on inspiring, as Beatrice inspired Dante, and Laura Petrarch, and that other woman Camoens, and Jenny Rossetti, and Vittoria Colonna Michael Angelo. She might even inspire Edgar to write poetry. And she would be careful to keep the verses out of Cosimo's way....

"Abolished!" she smiled in gay yet mournful mockery, and also with a touch both of reproach and of disdain in her look.... "Oh well, I suppose men think so...."

But at this he rounded just as suddenly on her as he had done when he had told her that she ought not to have come to the office. Perhaps he felt that he was losing ground again. You may be sure that Edgar Strong, actor, had never had to work as hard for his money as he had to work that afternoon.

"Amory!" he called imperiously. "I tell you it won't do—not at this juncture! I'd just begun to find a kind of drug in my work; I've locked myself up here; and now you come and undo it all again with a look! I see we must have this out. Let me think."

He began to pace the floor.