Not so much a blending of voices as an incessant racket of emphatic and independent pronouncements filled the studio. Walter Wyron had fastened upon the man who looked as if he ought to have carried a miner's lamp, and his forefinger was wagging like a gauge-needle as he explained that one of his Lectures had been misrepresented, and that he had never taken up the position that a kind of Saturnalia should be definitely state-established. He admitted, nevertheless, that the question of such an establishment ought to be considered, like any other question, on its merits, and that after that the argument should be followed whithersoever it led.—Dickie Lemesurier, excessively animated, and with the whites showing dancingly all round her pupils, was talking Césanne and Van Gogh to Laura, and declaring that something was "quite the" something or other.—Mr. Brimby's hand was fondling Bonniebell's head while he deprecated the high degree of precision of the modern rifle to Mr. Wilkinson. "If only it wasn't so ruthlessly logical!" he was sighing. "If only it was subject to the slight organic accident, to those beautiful adaptations of give-and-take that make judgment harsh, and teach us that we ought never to condemn!"—Corin, drawn by the word "gun," was demanding to be told whether that was the gun that had been taken away from him.—And Britomart Belchamber, indifferent alike to the glances of the Oxford men and their trepidation in her presence, stood like a caryatid under a wall-bracket with an ivy-green replica of Bastianini's Dante upon it.
"No, no, not for a moment, my dear sir!" Walter shouted to the man who looked like (and was) a miner. "That is to ignore the context. I admit I used the less-known Pompeian friezes as a rough illustration of what I meant—but I did not suggest that Waring & Gillow's should put them on the market! What I did say was that we moderns must work out our damnation on the same lines that the ancients did. Read your Nietzsche, my good fellow, and see what he says about the practical serviceability of Excess! I contend that a kind of general oubliance, say for three weeks in the year, to which everybody without exception would have to conform (so that we shouldn't have the superior person bringing things up against us afterwards)——"
"Ah doan't see how ye could mak' fowk——," the miner began, in an accent that for a moment seemed to blast a hole clean through the racket. But the hole closed up again.
"Ah, at present you don't," Walter cried. "The spade-work isn't done yet. We need more education. But every new and great idea——"
But here an outburst from Mr. Wilkinson to Mr. Brimby drowned Walter's voice. Mr. Wilkinson raised his clenched fist, but only for emphasis, and not in order to strike Mr. Brimby.
"Stuff and nonsense! There you go, Brimby, trimming again! We've heard all that: 'A great deal to be said on both sides,'"—(Mr. Wilkinson all but mimicked Mr. Brimby). "There isn't—not if you're going to do anything! There's only one side. You've got to shoot or be shot. I'm a shooter. Give me five hundred real men and plenty of barricade stuff——"
"Oh, oh, oh, my dear friend!" Mr. Brimby protested. "Why, if your principles were universally applied——"
"Who said anything about applying 'em universally? Hang your universal applications! I'm talking about the Industrial Revolution. I'll tell you what's the matter with you, Brimby: you don't like the sight of blood. I'm not blaming you. Some men are like that. But it's in every page of your writing. You've got a bloodless style. I don't mind admitting that I liked some of your earlier work, while there still seemed a chance of your making up your mind some day——"
But here Mr. Wilkinson in his turn was drowned, this time by an incredulous laugh from Cosimo, who had joined Dickie and Laura.
"Van Gogh says that?" his voice mounted high. "Really? You're sure he wasn't joking? Ha ha ha ha!... But it's rather pathetic really. One would think Amory'd never painted 'Barrage,' nor the 'White Slave,' nor that—," he pointed to the unfinished canvas of "The Triumph of Humane Government" on the wall. "By Jove, I must make an Appendix of that!... Here—Walter!—Have you told him, Dickie?—Walter!——"