Mushroom Town

by Oliver Onions

Ejectment! Apparently they had been considering his ejectment, had found it for some reason or other not to be feasible, and had substituted the offer of compensation....

Then, while this offer was still neither accepted nor rejected, something else came to Tommy Kerr's ears. This was that the sites, not of one, but of both the new hotels, were at last decided on. As a matter of fact, this choice was now almost a foregone conclusion. Next to Gardd Street, which ran parallel with the shore, Pontnewydd Street, in which lay the Hafod, was becoming the principal street of the town. It ran from the shore to Pritchard's Corner, was prolonged past that to the new station, and was the main thoroughfare for landaus and wagonettes off to the mountains. The hotels were to be built one on either side of the Hafod, not actually adjoining it, but not more than a couple of strides away.

Already in Tommy Kerr's suspicious mind the mischief was done. Howell Gruffydd, all blandishments to his face, had been making secret inquiries behind his back, had he? He had been talking about compensation and whispering with attorneys and such-like, had he? Very well. That settled it. Tommy would go when he was purred out, and not before. As for that snuffling Howell Gruffydd....

"So that's it, Mister Treacle-Tongue, is it?" he had muttered. "Reight. As long as we know where we are. I'm off out to buy a ha'porth o' thread——"

And with the ha'porth of thread he had sewn a large button on each of his pocket-flaps, and thenceforward meeting Howell Gruffydd in the street, had ostentatiously buttoned every pocket up before answering the prosperous grocer's smiling "Good morning."

They began to dig the foundations of those glittering hotels.

They did so, as it happened, in the early part of that same summer that saw Edward Garden's ingenious advertisements put into execution—the summer of the Eisteddfod and the Brass Band Contest. Llanyglo was packed with people. Two days before the Eisteddfod, there began to troop into the town from all parts bards and singers, poets and harpers and minstrels and the members of a chorus five hundred voices strong. They came in their everyday clothes, moustached like vikings, bearded and maned like lions, and instantly with their coming the Saxon took a back seat. Shopkeepers left their counters, publicans clapped down the half-filled glasses, and ran to their doors as this honoured singer or that famous bard passed their windows. They walked with stately slow walk and stately slow head-turnings, and happy was the Welshman who got a motion of the hand or a benign smile from them. The Gorsedd had been publicly proclaimed; the temporary dancing hall behind Gardd Street, big enough for a regiment to drill in, had been made ready; the insignia in the Town Hall were as jealously watched and guarded as are the Crown Jewels in the Tower of London; and he was a prudent visitor who had realised that for three whole days he was likely to get but negligent attention from those who at other times were his humble servitors. For, fleer as aliens would, this was the Awakening of the Red Dragon. Their reproach that he was but a pasteboard Dragon fell to the ground. The Dragon was what the Dragon was, and if his service was theatrical, theatricalism is ennobled when its boards are the soil itself and each of its actors an Antæus, strong because his foot is upon the ground that bred him. In England, behind his smile, the Welshman is an enigma of reserve; but see him at his Eisteddfod, with money waiting to be taken at his closed shop-doors....

With the ceremony of the Gorsedd on the opening day Dafydd Dafis's spellbound and uplifted hours began. At the sounding of the trumpets his head flew proudly up; at the Drawing of the Sword and the solemn question, "Is there Peace in the land?" his voice joined in the reply, like a thunder-clap, "There is Peace"—for that was before the year when, for three whole days, the blade remained naked and bright, while far over the seas brave Englishmen and brave Welshmen fell and died together. It was the single victory of Dafydd's life. On ordinary days he now drove a road-engine—Howell Gruffydd had got him the job under the Council; but he was a Lord of Song now. He had put his name down for the "penillion" contest; should he prove successful, not he himself only, but Llanyglo also, the place of his birth, would be forever famous. He sat behind the semicircle of white-robed and oak-crowned and druid-like figures that occupied the front part of the platform, looking down on the vast oblong of faces, Saxon and Welsh, that resembled a packed bed of London Pride; he was in the tenor wedge of the chorus; and as the five hundred voices pealed together you thought of the roof and of that singer whose voice had shivered vessels of glass.... Coming out of the hall again at the end of the first day, Dafydd was still in his trance. As he walked along the street past the "Trafford" Tap, Tommy Kerr, who sat within drinking, hailed him and called for a song, while one of his boon companions crying "Nay, we don't ask nobody to sing for nowt!" cast a couple of pennies on the ground; but Dafydd seemed neither to see nor to hear. At the break-up after the last chorus an august hand had been placed on Dafydd's shoulder, and an archangelic voice had spoken to him, saying that he, he the great one, had heard of Dafydd Dafis; and what, after that, did pot-house insults matter? He passed on, his eyes still flashing and his face shining like the Silver Chair itself....

Two days later he was proclaimed the victor in the "penillion" contest, and on the day after that, still drunk with song, he drove his road-engine again. And so passed Llanyglo's first Eisteddfod.

The Brass Band Contest five weeks later was a triumph in a different way. The impression now was one, not of unity, but of the keen spirit of faction. The "Besses o' th' Barn" were at the crest of their fame, but the "Black Dike" ran them close, and not far behind came "Wyke Temperance" and "Meltham Mills"; and had these been, not Bands, but football teams, local rivalry could not have run higher. True, underneath the sporting interest lay the musical. This performer's "lipping" and the "triple-tonguing" of the other were matters of endless debate among the expert; nuances of ensemble and attack were hotly argued in strong Lancashire and Yorkshire accents; and the devotees were ready to fight with their fists over the fame of the conductors of their fancy. But, without unity, the Contest proved, for all save the Brass-band-maniacs, a little wearisome. The ear began to revolt against the reiterated "test-piece," and one pitied the judge hidden away in his carefully guarded cubicle. Fewer Welsh attended the Contest than had English the Eisteddfod, and a day was judged sufficient for it. After a sensational replay with the "Besses," "Black Dike" took pride of place, with "Meltham Mills" third. The strains of Zampa and The Bronze Horse sounded once more only, when they massed the Bands in the evening in the Floral Valley; and (the Council having sanctioned a charge of sixpence as the fee for entrance) the sum of £115 was taken at the temporary barriers. So passed the Brass Band Contest also.