"I not show nobody, in lot-t of years, never." She turned her face to him for a moment; the anger of a fury lurked there for him had he not believed her. "I not show nobody, if they kill me," she went on. "Lot-t of years I hate it——" the vindictiveness of the single word died away, and he scarcely heard what came next, "—but I not hate it any more now——"

His answer was to rise suddenly to his knees, to stoop again, and to kiss the foot he had innocently maimed. He was conscious as he did so of its quick little pressure against his mouth....

The next moment his arm was about her shoulder, and he was gently seeking to see her face again.

"Cariad!" he murmured, his lips to her ear.

And he knew that by no other means could it have come to pass. "Lot-t of years I hate it—but I not hate it any more." She had hated the foot for its disfigurement. She had loved it for him.

There was no question of Yes or No as they ate their breakfast together; it was as it was, and neither guilt nor innocence had any part in it. From time to time, as they sat, he flung his arms about her shoulders as frankly as children embrace, and she suffered the crushing with lips parted and eyes immeasurably far away. The black pool was flecked with froth; it danced over the whitey-green ebullition at the foot of the swollen fall; and two dragon-flies, one blue as a scarab and the other like a darting twig of green metal, hovered and set and spun. There seemed to be no wind, but the great country of white cloud up aloft had advanced, and a soft gloom filled the Glyn. They did not wash up; impatiently John Willie tossed the platter they had shared aside; and they embraced again.

Midday did not find John Willie on his way to Llanyglo, nor yet did he see June off by the three o'clock train. By three o'clock he was on the summit of Delyn again, under the same rock where he had tried, as if by accident, to touch her hand. She had put on her shoes, but not her stockings, for the climb, but he had drawn them off again, and once more she lay, luxuriating with her foot under his hand. Even now she did not talk very much. She had only one thing to say, with lovely monotony and very few words to say it in; she strayed no farther from her little store of English than to say, over and over again, "Boy bach!" with the greenish-brown eyes slavishly on his, and her parted lips hurrying out the diminutive before he crushed them again. She started from her dream once, as a stray sheep close behind them gave a call like a rich oboe; then she relapsed into it again. The shadows lay still and leagues long over the rumple of mountains, and she had not changed, and had promised that she would not again change, that unfastened bodice and short and faded old petticoat.

So June steamed away, while Ynys's face was framed in John Willie's arm on the summit of Delyn.

They descended to the Glyn again between the afternoon and the early evening, and with each step as they dropped down the mountain a silence grew and deepened on them. He knew its meaning, if she did not, and, back by the pool again, he first cleaned the forgotten platter (which she tried to prevent), and then stood before her as he had stood when once, with an abrupt, "Nos da," he had stridden away. And in that pause of gazing silence he knew how much was packed—his Yes, his No, hers too; all that lay behind them, all that lay before. For him, there lay enwrapped in it that slight black figure he had seen under the crimson pier-light; his searching for her; his finding her; his struggles, his decision, and then, even in the act of his relinquishment, his wonderful recovery of her. And her memory took a farther flight still. She saw herself, a little girl, sitting with a bandaged foot upon a chair, while a testy girl not two years older than herself drew her likeness. She remembered the unendurable length of those half-hours—unendurable, save that occasionally there looked in at the door or passed the window a cowslip-haired boy, with hard blue eyes that would stare down even his own conscience and none be the wiser, a conquering boy, of a race so habituated to conquest that it takes with the sword-hand and carelessly tosses twice as much back with the other. That was what it meant to her, that silver mark that ran round the edge of her foot as a vein runs round the edge of a pebble....

And for the future? His future might be anything, but hers could be one thing only. For the gipsy loves never but the once. In all but love, the waters of the world are not more unstable than she; in love, the rocks are not more irremovable. Therefore she has no past and no regrets. She has no regrets, for there is no scar upon her heart—how can there be a scar, when a scar is a healing, and this wound is never healed, but ever new, ever quivering? And she has no past—how can she have a past when all is a poignant and lovely present, that endures to the end?...