"Now, Mr Aschael," said Kato.
Aschael cleared his throat.
At the first notes of a curiously thin piano accompaniment, I felt Kitty shrink and close as a daisy closes at the approach of night....
You will tell me that I ought to have stopped the machine—smashed it—fallen on it—done something, anything; but put yourself in my place; nay, put yourself in the place of the three of us who sat together, and who had sat together the last time we had heard the song Aschael sang. Did I tell you when that had been, or didn't I? I had better tell you now.... It had been up the River, with a summer twilight falling, and distant banjos sounding, and the Japanese lanterns making long, wavy reflections in the water. Our party had been four, not three, then, and the fourth of us had sung this song Aschael was singing now. He had sung it, lolling in the stern, beating time with one hand, and very careful about the spotting of a new pair of white flannel trousers.
Oh yes, I daresay I ought to have done something rather than let those two other poor things hear that song again....
But a hideous fear, of which they knew nothing, kept me fascinated and still. So long as they only remembered the song and that other occasion they were the lucky ones. I envied them their luck. No let-off so merciful was mine.... And my horror was enhanced, not so much by those two faces at which I dared not glance, as by our atmosphere of tawdry festivity—the sprinkling of coloured gelatine on the floor, the mocking caps of tissue paper on our heads, and the florid antics of Aschael, turning and grimacing, now this way, now that.
That I might keep this added horror of mine from them, there was even yet a chance....
For the song, you understand, was being sung twice, once by the unknown maker of the record in the machine, and the second time, as it were over it, by Aschael. As the two voices did not perfectly coincide, the result was a sort of palimpsest of sound, with, as sometimes happens in palimpsests, the old and almost erased message the more significant one. Aschael kept irregular pace with a far-off amateur voice and the faint tinkling of a piano.... Like a bolt into my brain had come the knowledge of whose that horrible instrument had been, and how it had come into Aunt Angela's possession. I remembered her visits to Guildford; I remembered Mrs Merridew's funeral; I remembered her old kindnesses in providing a certain young man in London with a "home from home." The machine had come from Guildford, a legacy, a memento, a giggle from the tomb....
But they, those two poor stricken souls, could yet be spared that knowledge. It was dreadfully too much that they knew the song, and that he had known it, and that he had sung it that summer's evening up the River. The rest of the horror might still be kept from them.