When Louie had first resolved that she would seek her father, nothing had seemed more natural. In prospect, the thing had been simplicity itself. But it was, somehow, less simple now. Indeed, its difficulties had increased with every step she took. What about Buck? Must he necessarily make her so very welcome? Suppose, when she made her announcement, he should shake hands, ask how her mother was, offer her tea (or whatever publicans did offer ladies), say he had been very glad to see her, and let her go again? How, in the face of that, could she say: "I am your daughter; I really don't know why I have come; I have stayed away a good long time, but here I am, needing friends; why I need friends I will explain to your wife." Was it not likely that Buck had had more than enough of her family?

Had Chaff, as they descended to Kingston, once more urged that she was on a wild-goose chase, as likely as not she would have turned back at the first word.

They reached Buck's public-house—The Molyneux Arms, near the corner of Kingston Bridge.

"Well," said Chaff, stopping, "what do we do now, Mops?"

"We go in, I suppose," said Louie. Without pausing, she moved towards the largest door (there was "Public Bar" written upon it) of an establishment that, if it lacked the garishness of a modern drinking-palace, was yet not quite the red-curtained, lattice-windowed, Christmas-number hostelry of Louie's imaginings. But Chaff, with a "No, not there," drew her round the corner to a quieter door, where small bay-trees stood in green tubs. The step had a brightly polished brass sill and a thick rubber mat perforated with the name "Molyneux Arms." Beyond the little vestibule were double doors with cut-glass panels and a diagonal brass bar on each and a piston for automatic closing at the top.

"Perhaps you'd better wait here," said Chaff.

"All right," said Louie, now heartily wishing she had not left her new abode in Mortlake Road, Putney.

With a soft sigh of the piston, the brass-barred doors closed behind Chaff.

This entrance lay in a short blind alley off the main street, the end of which seemed to be closed by a stableyard. Somebody over a brick wall was walking a horse over cobbles, and a man's voice muttered, "Come up." There was a light clashing of harness, and the same voice began a soft but strong singing, hoisting itself to the higher notes as if the interpolated aspirates had been so many stirrups:

"No re-(h)est—but the gra-(h)ave
For the pi-(h)ilgrim of Love!——"