And he too seemed to be as she had always known he would be—singled out, down to his very manner of wearing his clothes—among men. Stupid, that of all those times she had thought of him she had never once thought of him as in evening-dress! But that, in all this perfection, was only one more reciprocated perfection: she so—he so——

"Oh, Jim—not my eyes only!" she well-nigh cried again.

But the lion's eyes never moved from her own grey ones.

"Right, Louie, I've finished," said Billy, looking up from his palette-scraping.

And within herself she wailed: "Oh, so soon? Must it be over already? Must I sit for men all these days, and then, when my man comes——? Oh, a moment!... Well, he shall see me move—and I won't look at him—I'll tell myself—oh, just one more fancy!—that he isn't here."

She descended from the throne and passed behind the screen.

Was it strange that already, as she dressed in Billy's studio, she knew that she would never dress in an artist's studio again, and made of her fastening of hooks and strings a grave little ceremonial?—(There! With that fastening yet another chapter was closed; oh, trust her, there should be no reopening of it!)—Or that she should have a little shiver, at the thought that he might not have come? Suppose he had knocked at the door, and Billy had cried: "Half-a-moment—slide, Louie—come in!" Suppose—but the tremor passed. She had always known he would come; she had known it just as she had known everything else about him. Again every fibre of her was joyous. She was here on the earth—she, Louie Causton, daughter of a pugilist and of a Scarisbrick, gardener, typist, artists' model, and all else she might ever be—that she might know all about this man. To have ever doubted it would have been not to deserve him. And here he was, in the same room with her—he, beyond the screen, she behind it—only the two of them, for Billy had gone down to the tap to wash his brushes.

Now what should she do?

No, she would not go out and join him; not as she now was; not a skirt and blouse, after that fairness. Nor yet would she speak. Surely it was for him to speak now! She had been speaking to him, singing to him, all music to his eyes; there does come a point (she told herself) when the woman ceases to do everything; he must speak now. She knew he would speak. So she stood, upright, close to the screen, waiting.

He did speak, and like smoke another flock of fancies fled for ever. They were the fancies in which she had tried to remember his voice. It came, henceforth unforgettable, pure rest after her strivings. He too seemed to be near the screen; only a screen between them; but the phrases that were breaking their long silence were merely automatic. He was saying something about seeing her presently; she heard him pronounce the word "Piccadilly," and the most familiar image of Piccadilly sprang up in her mind. "Swan and Edgar's," she was whispering back over the screen.