He put one leg out of bed. Feeling its feebleness, he reached with his hand for the additional support of the wall….
* * * * *
But before putting out the other leg he stopped and considered, picking at his new-found beard. He was suddenly wondering whether he dared go into the kitchen. It was such a frightfully long way; no man knew what horror might not leap and huddle on his shoulders if he went so far; when a man has an overmastering impulse to get back into bed he ought to take heed of the warning and obey it. Besides, why should he go? What was there to go for? If it was that Bengough creature again, let her look after herself; Oleron was not going to have things cramp themselves on his defenceless back for the sake of such a spoilsport as she!… If she was in, let her let herself out again, and the sooner the better for her! Oleron simply couldn't be bothered. He had his work to do. On the morrow, he must set about the writing of a novel with a heroine so winsome, capricious, adorable, jealous, wicked, beautiful, inflaming, and altogether evil, that men should stand amazed. She was coming over him now; he knew by the alteration of the very air of the room when she was near him; and that soft thrill of bliss that had begun to stir in him never came unless she was beckoning, beckoning….
He let go the wall and fell back into bed again as—oh, unthinkable!—the other half of that kiss that a gnash had interrupted was placed (how else convey it?) on his lips, robbing him of very breath….
XII
In the bright June sunlight a crowd filled the square, and looked up at the windows of the old house with the antique insurance marks in its walls of red brick and the agents' notice-boards hanging like wooden choppers over the paling. Two constables stood at the broken gate of the narrow entrance-alley, keeping folk back. The women kept to the outskirts of the throng, moving now and then as if to see the drawn red blinds of the old house from a new angle, and talking in whispers. The children were in the houses, behind closed doors.
A long-nosed man had a little group about him, and he was telling some story over and over again; and another man, little and fat and wide-eyed, sought to capture the long-nosed man's audience with some relation in which a key figured.
"… and it was revealed to me that there'd been something that very afternoon," the long-nosed man was saying. "I was standing there, where Constable Saunders is—or rather, I was passing about my business, when they came out. There was no deceiving me, oh, no deceiving me! I saw her face…."
"What was it like, Mr. Barrett?" a man asked.
"It was like hers whom our Lord said to, 'Woman, doth any man accuse thee?'—white as paper, and no mistake! Don't tell me!… And so I walks straight across to Mrs. Barrett, and 'Jane,' I says, 'this must stop, and stop at once; we are commanded to avoid evil,' I says, 'and it must come to an end now; let him get help elsewhere.'