“You want to know what there is troubling me;” she said. “Nobody loves me. I cannot love anybody. What is love, Sophy?”
“It's what poor Ol' Sophy's got for her Elsie,” the old woman answered. “Tell me, darlin',—don' you love somebody?—don' you love? you know,—oh, tell me, darlin', don' you love to see the gen'l'man that keeps up at the school where you go? They say he's the pootiest gen'l'man that was ever in the town here. Don' be 'fraid of poor Ol' Sophy, darlin',—she loved a man once,—see here! Oh, I've showed you this often enough!”
She took from her pocket a half of one of the old Spanish silver coins, such as were current in the earlier part of this century. The other half of it had been lying in the deep sea-sand for more than fifty years.
Elsie looked her in the face, but did not answer in words. What strange intelligence was that which passed between them through the diamond eyes and the little beady black ones?—what subtile intercommunication, penetrating so much deeper than articulate speech? This was the nearest approach to sympathetic relations that Elsie ever had: a kind of dumb intercourse of feeling, such as one sees in the eyes of brute mothers looking on their young. But, subtile as it was, it was narrow and individual; whereas an emotion which can shape itself in language opens the gate for itself into the great community of human affections; for every word we speak is the medal of a dead thought or feeling, struck in the die of some human experience, worn smooth by innumerable contacts, and always transferred warm from one to another. By words we share the common consciousness of the race, which has shaped itself in these symbols. By music we reach those special states of consciousness which, being without form, cannot be shaped with the mosaics of the vocabulary. The language of the eyes runs deeper into the personal nature, but it is purely individual, and perishes in the expression.
If we consider them all as growing out of the consciousness as their root, language is the leaf, music is the flower; but when the eyes meet and search each other, it is the uncovering of the blanched stem through which the whole life runs, but which has never taken color or form from the sunlight.
For three days Elsie did not return to the school. Much of the time she was among the woods and rocks. The season was now beginning to wane, and the forest to put on its autumnal glory. The dreamy haze was beginning to soften the landscape, and the mast delicious days of the year were lending their attraction to the scenery of The Mountain. It was not very singular that Elsie should be lingering in her old haunts, from which the change of season must soon drive her. But Old Sophy saw clearly enough that some internal conflict was going on, and knew very well that it must have its own way and work itself out as it best could. As much as looks could tell Elsie had told her. She had said in words, to be sure, that she could not love. Something warped and thwarted the emotion which would have been love in another, no doubt; but that such an emotion was striving with her against all malign influences which interfered with it the old woman had a perfect certainty in her own mind.
Everybody who has observed the working of emotions in persons of various temperaments knows well enough that they have periods of incubation, which differ with the individual, and with the particular cause and degree of excitement, yet evidently go through a strictly self-limited series of evolutions, at the end of which, their result—an act of violence, a paroxysm of tears, a gradual subsidence into repose, or whatever it may be—declares itself, like the last stage of an attack of fever and ague. No one can observe children without noticing that there is a personal equation, to use the astronomer's language, in their tempers, so that one sulks an hour over an offence which makes another a fury for five minutes, and leaves him or her an angel when it is over.
At the end of three days, Elsie braided her long, glossy, black hair, and shot a golden arrow through it. She dressed herself with more than usual care, and came down in the morning superb in her stormy beauty. The brooding paroxysm was over, or at least her passion had changed its phase. Her father saw it with great relief; he had always many fears for her in her hours and days of gloom, but, for reasons before assigned, had felt that she must be trusted to herself, without appealing to actual restraint, or any other supervision than such as Old Sophy could exercise without offence.
She went off at the accustomed hour to the school. All the girls had their eyes on her. None so keen as these young misses to know an inward movement by an outward sign of adornment: if they have not as many signals as the ships that sail the great seas, there is not an end of ribbon or a turn of a ringlet which is not a hieroglyphic with a hidden meaning to these little cruisers over the ocean of sentiment.
The girls all looked at Elsie with a new thought; for she was more sumptuously arrayed than perhaps ever before at the school; and they said to themselves that she had come meaning to draw the young master's eyes upon her. That was it; what else could it be? The beautiful cold girl with the diamond eyes meant to dazzle the handsome young gentleman. He would be afraid to love her; it couldn't be true, that which some people had said in the village; she was n't the kind of young lady to make Mr. Langdon happy. Those dark people are never safe: so one of the young blondes said to herself. Elsie was not literary enough for such a scholar: so thought Miss Charlotte Ann Wood, the young poetess. She couldn't have a good temper, with those scowling eyebrows: this was the opinion of several broad-faced, smiling girls, who thought, each in her own snug little mental sanctum, that, if, etc., etc., she could make him so happy!