Hyacinth Cottage was a pretty place enough, a little too much choked round with bushes, and too much overrun with climbing-roses, which, in the season of slugs and rose-bugs, were apt to show so brown about the leaves and so coleopterous about the flowers, that it might be questioned whether their buds and blossoms made up for these unpleasant animal combinations,—especially as the smell of whale-oil soap was very commonly in the ascendant over that of the roses. It had its patch of grass called “the lawn,” and its glazed closet known as “the conservatory,” according to that system of harmless fictions characteristic of the rural imagination and shown in the names applied to many familiar objects. The interior of the cottage was more tasteful and ambitious than that of the ordinary two-story dwellings. In place of the prevailing hair-cloth covered furniture, the visitor had the satisfaction of seating himself upon a chair covered with some of the Widow's embroidery, or a sofa luxurious with soft caressing plush. The sporting tastes of the late Major showed in various prints on the wall: Herring's “Plenipotentiary,” the “red bullock” of the '34 Derby; “Cadland” and “The Colonel;” “Crucifix;” “West-Australian,” fastest of modern racers; and among native celebrities, ugly, game old “Boston,” with his straight neck and ragged hips; and gray “Lady Suffolk,” queen, in her day, not of the turf but of the track, “extending” herself till she measured a rod, more or less, skimming along within a yard of the ground, her legs opening and shutting under her with a snap, like the four blades of a compound jack-knife.
These pictures were much more refreshing than those dreary fancy death-bed scenes, common in two-story country-houses, in which Washington and other distinguished personages are represented as obligingly devoting their last moments to taking a prominent part in a tableau, in which weeping relatives, attached servants, professional assistants, and celebrated personages who might by a stretch of imagination be supposed present, are grouped in the most approved style of arrangement about the chief actor's pillow.
A single glazed bookcase held the family library, which was hidden from vulgar eyes by green silk curtains behind the glass. It would have been instructive to get a look at it, as it always is to peep into one's neighbor's book-shelves. From other sources and opportunities a partial idea of it has been obtained. The Widow had inherited some books from her mother, who was something of a reader: Young's “Night-Thoughts;” “The Preceptor;” “The Task, a Poem,” by William Cowper; Hervey's “Meditations;” “Alonzo and Melissa;” “Buccaneers of America;” “The Triumphs of Temper;” “La Belle Assemblee;” Thomson's “Seasons;” and a few others. The Major had brought in “Tom Jones” and “Peregrine Pickle;” various works by Mr. Pierce Egan; “Boxiana,” “The Racing Calendar;” and a “Book of Lively Songs and Jests.” The Widow had added the Poems of Lord Byron and T. Moore; “Eugene Aram;” “The Tower of London,” by Harrison Ainsworth; some of Scott's Novels; “The Pickwick Papers;” a volume of Plays, by W. Shakespeare; “Proverbial Philosophy;” “Pilgrim's Progress;” “The Whole Duty of Man” (a present when she was married); with two celebrated religious works, one by William Law and the other by Philip Doddridge, which were sent her after her husband's death, and which she had tried to read, but found that they did not agree with her. Of course the bookcase held a few school manuals and compendiums, and one of Mr. Webster's Dictionaries. But the gilt-edged Bible always lay on the centre-table, next to the magazine with the fashion-plates and the scrap-book with pictures from old annuals and illustrated papers.
The reader need not apprehend the recital, at full length, of such formidable preparations for the Widow's tea-party as were required in the case of Colonel Sprowle's Social Entertainment. A tea-party, even in the country, is a comparatively simple and economical piece of business. As soon as the Widow found that all her company were coming, she set to work, with the aid of her “smart” maid-servant and a daughter of her own, who was beginning to stretch and spread at a fearful rate, but whom she treated as a small child, to make the necessary preparations. The silver had to be rubbed; also the grand plated urn,—her mother's before hers,—style of the Empire,—looking as if it might have been made to hold the Major's ashes. Then came the making and baking of cake and gingerbread, the smell whereof reached even as far as the sidewalk in front of the cottage, so that small boys returning from school snuffed it in the breeze, and discoursed with each other on its suggestions; so that the Widow Leech, who happened to pass, remembered she had n't called on Marilly Raowens for a consid'ble spell, and turned in at the gate and rang three times with long intervals,—but all in vain, the inside Widow having “spotted” the outside one through the blinds, and whispered to her aides-de-camp to let the old thing ring away till she pulled the bell out by the roots, but not to stir to open the door.
Widow Rowens was what they called a real smart, capable woman, not very great on books, perhaps, but knew what was what and who was who as well as another,—knew how to make the little cottage look pretty, how to set out a tea-table, and, what a good many women never can find out, knew her own style and “got herself up tip-top,” as our young friend Master Geordie, Colonel Sprowle's heir-apparent, remarked to his friend from one of the fresh-water colleges. Flowers were abundant now, and she had dressed her rooms tastefully with them. The centre-table had two or three gilt-edged books lying carelessly about on it, and some prints and a stereoscope with stereographs to match, chiefly groups of picnics, weddings, etc., in which the same somewhat fatigued looking ladies of fashion and brides received the attentions of the same unpleasant-looking young men, easily identified under their different disguises, consisting of fashionable raiment such as gentlemen are supposed to wear habitually. With these, however, were some pretty English scenes,—pretty except for the old fellow with the hanging under-lip who infests every one of that interesting series; and a statue or two, especially that famous one commonly called the Lahcoon, so as to rhyme with moon and spoon, and representing an old man with his two sons in the embraces of two monstrous serpents.
There is no denying that it was a very dashing achievement of the Widow's to bring together so considerable a number of desirable guests. She felt proud of her feat; but as to the triumph of getting Dudley Venner to come out for a visit to Hyacinth Cottage, she was surprised and almost frightened at her own success. So much might depend on the impressions of that evening!
The next thing was to be sure that everybody should be in the right place at the tea-table, and this the Widow thought she could manage by a few words to the older guests and a little shuffling about and shifting when they got to the table. To settle everything the Widow made out a diagram, which the reader should have a chance of inspecting in an authentic copy, if these pages were allowed under any circumstances to be the vehicle of illustrations. If, however, he or she really wishes to see the way the pieces stood as they were placed at the beginning of the game, (the Widow's gambit,) he or she had better at once take a sheet of paper, draw an oval, and arrange the characters according to the following schedule.
At the head of the table, the Hostess, Widow Marilla Rowens. Opposite her, at the other end, Rev. Dr. Honeywood. At the right of the Hostess, Dudley Venner, next him Helen Darley, next her Dr. Kittredge, next him Mrs. Blanche Creamer, then the Reverend Doctor. At the left of the Hostess, Bernard Langdon, next him Letty Forrester, next Letty Mr. Richard Venner, next him Elsie, and so to the Reverend Doctor again.
The company came together a little before the early hour at which it was customary to take tea in Rockland. The Widow knew everybody, of course: who was there in Rockland she did not know? But some of them had to be introduced: Mr. Richard Venner to Mr. Bernard, Mr. Bernard to Miss Letty, Dudley Venner to Miss Helen Darley, and so on. The two young men looked each other straight in the eyes, both full of youthful life, but one of frank and fearless aspect, the other with a dangerous feline beauty alien to the New England half of his blood.
The guests talked, turned over the prints, looked at the flowers, opened the “Proverbial Philosophy” with gilt edges, and the volume of Plays by W. Shakespeare, examined the horse-pictures on the walls, and so passed away the time until tea was announced, when they paired off for the room where it was in readiness. The Widow had managed it well; everything was just as she wanted it. Dudley Venner was between herself and the poor tired-looking schoolmistress with her faded colors. Blanche Creamer, a lax, tumble-to-pieces, Greuze-ish looking blonde, whom the Widow hated because the men took to her, was purgatoried between the two old Doctors, and could see all the looks that passed between Dick Venner and his cousin. The young schoolmaster could talk to Miss Letty: it was his business to know how to talk to schoolgirls. Dick would amuse himself with his cousin Elsie. The old Doctors only wanted to be well fed and they would do well enough.