Ever since Miss Bacon made her insane attempt to unearth what is left of Shakespeare's bodily frame, the thought of doing reverently and openly what she would have done by stealth has been entertained by psychologists, artists, and others who would like to know what were his cranial developments, and to judge from the conformation of the skull and face which of the various portraits is probably the true one. There is little doubt that but for the curse invoked upon the person who should disturb his bones, in the well-known lines on the slab which covers him, he would rest, like Napoleon, like Washington, in a fitting receptacle of marble or porphyry. In the transfer of his remains the curiosity of men of science and artists would have been gratified, if decay had spared the more durable portions of his material structure. It was probably not against such a transfer that the lines were written,--whoever was their author,--but in the fear that they would be carried to the charnel-house.

"In this charnel-house was contained a vast collection of human bones. How long they had been deposited there is not easily to be determined; but it is evident, from the immense quantity contained in the vault, it could have been used for no other purpose for many ages." "It is probable that from an early contemplation of this dreary spot Shakespeare imbibed that horror of a violation of sepulture which is observable in many parts of his writings."

The body of Raphael was disinterred in 1833 to settle a question of identity of the remains, and placed in a new coffin of lead, which was deposited in a marble sarcophagus presented by the Pope. The sarcophagus, with its contents, was replaced in the same spot from which the remains had been taken. But for the inscription such a transfer of the bones of Shakespeare would have been proposed, and possibly carried out. Kings and emperors have frequently been treated in this way after death, and the proposition is no more an indignity than was that of the exhumation of the remains of Napoleon, or of André, or of the author of "Home, Sweet Home." But sentiment, a tender regard for the supposed wishes of the dead poet, and a natural dread of the consequences of violating a dying wish, coupled with the execration of its contemner, are too powerful for the arguments of science and the pleadings of art. If Shakespeare's body had been embalmed,--which there is no reason that I know of to suppose,--the desire to compare his features with the bust and the portraits would have been much more imperative. When the body of Charles the First was examined, under the direction of Sir Henry Halford, in the presence of the Regent, afterwards George the Fourth, the face would have been recognized at once by all who were acquainted with Vandyke's portrait of the monarch, if the lithograph which comes attached to Sir Henry's memoir is an accurate representation of what they found. Even the bony framework of the face, as I have had occasion to know, has sometimes a striking likeness to what it was when clothed in its natural features. As between the first engraved portrait and the bust in the church, the form of the bones of the head and face would probably be decisive. But the world can afford to live without solving this doubt, and leave his perishing vesture of decay to its repose.

After seeing the Shakespeare shrines, we drove over to Shottery, and visited the Anne Hathaway cottage. I am not sure whether I ever saw it before, but it was as familiar to me as if I had lived in it. The old lady who showed it was agreeably communicative, and in perfect keeping with the place.

A delightful excursion of ten or a dozen miles carried our party, consisting of Mr. and Mrs. Flower, Mr. and Mrs. Willett, with A---- and myself, to Compton Wynyate, a most interesting old mansion, belonging to the Marquis of Northampton, who, with his daughter-in-law, Lady William Compton, welcomed us and showed us all the wonders of the place. It was a fine morning, but hot enough for one of our American July days. The drive was through English rural scenery; that is to say, it was lovely. The old house is a great curiosity. It was built in the reign of Henry the Eighth, and has passed through many vicissitudes. The place, as well as the edifice, is a study for the antiquarian. Remains of the old moat which surrounded it are still distinguishable. The twisted and variously figured chimneys are of singular variety and exceptional forms. Compton Wynyate is thought to get its name from the vineyards formerly under cultivation on the hillsides, which show the signs of having been laid out in terraces. The great hall, with its gallery, and its hangings, and the long table made from the trunk of a single tree, carries one back into the past centuries. There are strange nooks and corners and passages in the old building, and one place, a queer little "cubby-hole," has the appearance of having been a Roman Catholic chapel. I asked the master of the house, who pointed out the curiosities of the place most courteously, about the ghosts who of course were tenants in common with the living proprietors. I was surprised when he told me there were none. It was incredible, for here was every accommodation for a spiritual visitant. I should have expected at least one haunted chamber, to say nothing of blood-stains that could never be got rid of; but there were no legends of the supernatural or the terrible.

Refreshments were served us, among which were some hot-house peaches, ethereally delicate as if they had grown in the Elysian Fields and been stolen from a banquet of angels. After this we went out on the lawn, where, at Lady William Compton's request, I recited one or two poems; the only time I did such a thing in England.

It seems as if Compton Wynyate must have been written about in some novel or romance,--perhaps in more than one of both. It is the place of all others to be the scene of a romantic story. It lies so hidden away among the hills that its vulgar name, according to old Camden, was "Compton in the Hole." I am not sure that it was the scene of any actual conflict, but it narrowly escaped demolition in the great civil war, and in 1646 it was garrisoned by the Parliament army.

On the afternoon of July 6th, our hosts had a large garden-party. If nothing is more trying than one of these out-of-door meetings on a cold, windy, damp day, nothing can be more delightful than such a social gathering if the place and the weather are just what we could wish them. The garden-party of this afternoon was as near perfection as such a meeting could well be. The day was bright and warm, but not uncomfortably hot, to me, at least. The company strolled about the grounds, or rested on the piazzas, or watched the birds in the aviary, or studied rudimentary humanity in the monkey, or, better still, in a charming baby, for the first time on exhibition since she made the acquaintance of sunshine. Every one could dispose of himself or herself as fancy might suggest. I broke away at one time, and wandered alone by the side of the Avon, under the shadow of the tall trees upon its bank. The whole scene was as poetical, as inspiring, as any that I remember. It would be easy to write verses about it, but unwritten poems are so much better!

One reminiscence of that afternoon claims precedence over all the rest. The reader must not forget that I have been a medical practitioner, and for thirty-five years a professor in a medical school. Among the guests whom I met in the grounds was a gentleman of the medical profession, whose name I had often heard, and whom I was very glad to see and talk with. This was Mr. Lawson Tait, F.R.C.S., M.D., of Birmingham. Mr., or more properly Dr., Tait has had the most extraordinary success in a class of cases long considered beyond the reach of surgery. If I refer to it as a scientific hari kari, not for the taking but for the saving of life, I shall come near enough to its description. This operation is said to have been first performed by an American surgeon in Danville, Kentucky, in the year 1809. So rash and dangerous did it seem to most of the profession that it was sometimes spoken of as if to attempt it were a crime. Gradually, however, by improved methods, and especially by the most assiduous care in nursing the patient after the operation, the mortality grew less and less, until it was recognized as a legitimate and indeed an invaluable addition to the resources of surgery. Mr. Lawson Tait has had, so far as I have been able to learn, the most wonderful series of successful cases on record: namely, one hundred and thirty-nine consecutive operations without a single death.

As I sat by the side of this great surgeon, a question suggested itself to my mind which I leave the reader to think over. Which would give the most satisfaction to a thoroughly humane and unselfish being, of cultivated intelligence and lively sensibilities: to have written all the plays which Shakespeare has left as an inheritance for mankind, or to have snatched from the jaws of death more than a hundred fellow- creatures,--almost seven scores of suffering women,--and restored them to sound and comfortable existence? It would be curious to get the answers of a hundred men and a hundred women, of a hundred young people and a hundred old ones, of a hundred scholars and a hundred operatives. My own specialty is asking questions, not answering them, and I trust I shall not receive a peck or two of letters inquiring of me how I should choose if such a question were asked me. It may prove as fertile a source of dispute as "The Lady or the Tiger."