St. Paul's I must and did visit. The most striking addition since I was there is the massive monument to the Duke of Wellington. The great temple looked rather bare and unsympathetic. Poor Dr. Johnson, sitting in semi-nude exposure, looked to me as unhappy as our own half-naked Washington at the national capital. The Judas of Matthew Arnold's poem would have cast his cloak over those marble shoulders, if he had found himself in St. Paul's, and have earned another respite. We brought away little, I fear, except the grand effect of the dome as we looked up at it. It gives us a greater idea of height than the sky itself, which we have become used to looking upon.
A second visit to the National Gallery was made in company with A----. It was the repetition of an attempt at a draught from the Cup of Tantalus. I was glad of a sight of the Botticellis, of which I had heard so much, and others of the more recently acquired paintings of the great masters; of a sweeping glance at the Turners; of a look at the well-remembered Hogarths and the memorable portraits by Sir Joshua. I carried away a confused mass of impressions, much as the soldiers that sack a city go off with all the precious things they can snatch up, huddled into clothes-bags and pillow-cases. I am reminded, too, of Mr. Galton's composite portraits; a thousand glimpses, as one passes through the long halls lined with paintings, all blending in one not unpleasing general effect, out of which emerges from time to time some single distinct image.
In the same way we passed through the exhibition of paintings at the Royal Academy. I noticed that A---- paid special attention to the portraits of young ladies by John Sargent and by Collier, while I was more particularly struck with the startling portrait of an ancient personage in a full suit of wrinkles, such as Rembrandt used to bring out with wonderful effect. Hunting in couples is curious and instructive; the scent for this or that kind of game is sure to be very different in the two individuals.
I made but two brief visits to the British Museum, and I can easily instruct my reader so that he will have no difficulty, if he will follow my teaching, in learning how not to see it. When he has a spare hour at his disposal, let him drop in at the Museum, and wander among its books and its various collections. He will know as much about it as the fly that buzzes in at one window and out at another. If I were asked whether I brought away anything from my two visits, I should say, Certainly I did. The fly sees some things, not very intelligently, but he cannot help seeing them. The great round reading-room, with its silent students, impressed me very much. I looked at once for the Elgin Marbles, but casts and photographs and engravings had made me familiar with their chief features. I thought I knew something of the sculptures brought from Nineveh, but I was astonished, almost awe-struck, at the sight of those mighty images which mingled with the visions of the Hebrew prophets. I did not marvel more at the skill and labor expended upon them by the Assyrian artists than I did at the enterprise and audacity which had brought them safely from the mounds under which they were buried to the light of day and the heart of a great modern city. I never thought that I should live to see the Birs Nimroud laid open, and the tablets in which the history of Nebuchadnezzar was recorded spread before me. The Empire of the Spade in the world of history was founded at Nineveh by Layard, a great province added to it by Schliemann, and its boundary extended by numerous explorers, some of whom are diligently at work at the present day. I feel very grateful that many of its revelations have been made since I have been a tenant of the travelling residence which holds so many secrets in its recesses.
There is one lesson to be got from a visit of an hour or two to the British Museum,--namely, the fathomless abyss of our own ignorance. One is almost ashamed of his little paltry heartbeats in the presence of the rushing and roaring torrent of Niagara. So if he has published a little book or two, collected a few fossils, or coins, or vases, he is crushed by the vastness of the treasures in the library and the collections of this universe of knowledge.
I have shown how not to see the British museum; I will tell how to see it.
Take lodgings next door to it,--in a garret, if you cannot afford anything better,--and pass all your days at the Museum during the whole period of your natural life. At threescore and ten you will have some faint conception of the contents, significance, and value of this great British institution, which is as nearly as any one spot the noeud vital of human civilization, a stab at which by the dagger of anarchy would fitly begin the reign of chaos.
On the 3d of August, a gentleman, Mr. Wedmore, who had promised to be my guide to certain interesting localities, called for me, and we took a hansom for the old city. The first place we visited was the Temple, a collection of buildings with intricate passages between them, some of the edifices reminding me of our college dormitories. One, however, was a most extraordinary exception,--the wonderful Temple church, or rather the ancient part of it which is left, the round temple. We had some trouble to get into it, but at last succeeded in finding a slip of a girl, the daughter of the janitor, who unlocked the door for us. It affected my imagination strangely to see this girl of a dozen years old, or thereabouts, moving round among the monuments which had kept their place there for some six or seven hundred years; for the church was built in the year 1185, and the most recent of the crusaders' monuments is said to date as far back as 1241. Their effigies have lain in this vast city, and passed unharmed through all its convulsions. The Great Fire must have crackled very loud in their stony ears, and they must have shaken day and night, as the bodies of the victims of the Plague were rattled over the pavements.
Near the Temple church, in a green spot among the buildings, a plain stone laid flat on the turf bears these words: "Here lies Oliver Goldsmith." I believe doubt has been thrown upon the statement that Goldsmith was buried in that place, but, as some poet ought to have written,
Where doubt is disenchantment
'Tis wisdom to believe.