No man can find himself over the abysses, the floor of which is paved with wrecks and white with the bones of the shrieking myriads of human beings whom the waves have swallowed up, without some thought of the dread possibilities hanging over his fate. There is only one way to get rid of them: that which an old sea-captain mentioned to me, namely, to keep one's self under opiates until he wakes up in the harbor where he is bound. I did not take this as serious advice, but its meaning is that one who has all his senses about him cannot help being anxious. My old friend, whose beard had been shaken in many a tempest, knew too well that there is cause enough for anxiety.
What does the reader suppose was the source of the most ominous thought which forced itself upon my mind, as I walked the decks of the mighty vessel? Not the sound of the rushing winds, nor the sight of the foam-crested billows; not the sense of the awful imprisoned force which was wrestling in the depths below me. The ship is made to struggle with the elements, and the giant has been tamed to obedience, and is manacled in bonds which an earthquake would hardly rend asunder. No! It was the sight of the boats hanging along at the sides of the deck,--the boats, always suggesting the fearful possibility that before another day dawns one may be tossing about in the watery Sahara, shelterless, fireless, almost foodless, with a fate before him he dares not contemplate. No doubt we should feel worse without the boats; still they are dreadful tell-tales. To all who remember Géricault's Wreck of the Medusa,--and those who have seen it do not forget it,--the picture the mind draws is one it shudders at. To be sure, the poor wretches in the painting were on a raft, but to think of fifty people in one of these open boats! Let us go down into the cabin, where at least we shall not see them.
The first morning at sea revealed the mystery of the little round tin box. The process of shaving, never a delightful one, is a very unpleasant and awkward piece of business when the floor on which one stands, the glass in which he looks, and he himself are all describing those complex curves which make cycles and epicycles seem like simplicity itself. The little box contained a reaping machine, which gathered the capillary harvest of the past twenty-four hours with a thoroughness, a rapidity, a security, and a facility which were a surprise, almost a revelation. The idea of a guarded cutting edge is an old one; I remember the "Plantagenet" razor, so called, with the comb-like row of blunt teeth, leaving just enough of the edge free to do its work. But this little affair had a blade only an inch and a half long by three quarters of an inch wide. It had a long slender handle, which took apart for packing, and was put together with the greatest ease. It was, in short, a lawn-mower for the masculine growth of which the proprietor wishes to rid his countenance. The mowing operation required no glass, could be performed with almost reckless boldness, as one cannot cut himself, and in fact had become a pleasant amusement instead of an irksome task. I have never used any other means of shaving from that day to this. I was so pleased with it that I exhibited it to the distinguished tonsors of Burlington Arcade, half afraid they would assassinate me for bringing in an innovation which bid fair to destroy their business. They probably took me for an agent of the manufacturers; and so I was, but not in their pay nor with their knowledge. I determined to let other persons know what a convenience I had found the "Star Razor" of Messrs. Kampf, of New York, without fear of reproach for so doing. I know my danger,--does not Lord Byron say, "I have even been accused of writing puffs for Warren's blacking"? I was once offered pay for a poem in praise of a certain stove polish, but I declined. It is pure good-will to my race which leads me to commend the Star Razor to all who travel by land or by sea, as well as to all who stay at home. With the first sight of land many a passenger draws a long sigh of relief. Yet everybody knows that the worst dangers begin after we have got near enough to see the shore, for there are several ways of landing, not all of which are equally desirable. On Saturday, May 8th, we first caught a glimpse of the Irish coast, and at half past four in the afternoon we reached the harbor of Queenstown. A tug came off, bringing newspapers, letters, and so forth, among the rest some thirty letters and telegrams for me. This did not look much like rest, but this was only a slight prelude to what was to follow. I was in no condition to go on shore for sight-seeing, as some of the passengers did.
We made our way through the fog towards Liverpool, and arrived at 1.30, on Sunday, May 9th. A special tug came to take us off: on it were the American consul, Mr. Russell, the vice-consul, Mr. Sewall, Dr. Nevins, and Mr. Rathbone, who came on behalf of our as yet unseen friend, Mr. Willett, of Brighton, England. Our Liverpool friends were meditating more hospitalities to us than, in our fatigued condition, we were equal to supporting. They very kindly, however, acquiesced in our wishes, which were for as much rest as we could possibly get before any attempt to busy ourselves with social engagements. So they conveyed us to the Grand Hotel for a short time, and then saw us safely off to the station to take the train for Chester, where we arrived in due season, and soon found ourselves comfortably established at the Grosvenor Arms Hotel. A large basket of Surrey primroses was brought by Mr. Rathbone to my companion. I had set before me at the hotel a very handsome floral harp, which my friend's friend had offered me as a tribute. It made melody in my ears as sweet as those hyacinths of Shelley's, the music of whose bells was so
"delicate, soft, and intense,
It was felt like an odor within the sense."
At Chester we had the blissful security of being unknown, and were left to ourselves. Americans know Chester better than most other old towns in England, because they so frequently stop there awhile on their way from Liverpool to London. It has a mouldy old cathedral, an old wall, partly Roman, strange old houses with overhanging upper floors, which make sheltered sidewalks and dark basements. When one sees an old house in New England with the second floor projecting a foot or two beyond the wall of the ground floor, the country boy will tell him that "them haouses was built so th't th' folks upstairs could shoot the Injins when they was tryin' to git threew th' door or int' th' winder." There are plenty of such houses all over England, where there are no "Injins" to shoot. But the story adds interest to the somewhat lean traditions of our rather dreary past, and it is hardly worth while to disturb it. I always heard it in my boyhood. Perhaps it is true; certainly it was a very convenient arrangement for discouraging an untimely visit. The oval lookouts in porches, common in our Essex County, have been said to answer a similar purpose, that of warning against the intrusion of undesirable visitors. The walk round the old wall of Chester is wonderfully interesting and beautiful. At one part it overlooks a wide level field, over which the annual races are run. I noticed that here as elsewhere the short grass was starred with daisies. They are not considered in place in a well-kept lawn. But remembering the cuckoo song in "Love's Labour's Lost," "When daisies pied ... do paint the meadows with delight," it was hard to look at them as unwelcome intruders.
The old cathedral seemed to me particularly mouldy, and in fact too high-flavored with antiquity. I could not help comparing some of the ancient cathedrals and abbey churches to so many old cheeses. They have a tough gray rind and a rich interior, which find food and lodging for numerous tenants who live and die under their shelter or their shadow,--lowly servitors some of them, portly dignitaries others, humble holy ministers of religion many, I doubt not,--larvae of angels, who will get their wings by and by. It is a shame to carry the comparison so far, but it is natural enough; for Cheshire cheeses are among the first things we think of as we enter that section of the country, and this venerable cathedral is the first that greets the eyes of great numbers of Americans.
We drove out to Eaton Hall, the seat of the Duke of Westminster, the many-millioned lord of a good part of London. It is a palace, high-roofed, marble-columned, vast, magnificent, everything but homelike, and perhaps homelike to persons born and bred in such edifices. A painter like Paul Veronese finds a palace like this not too grand for his banqueting scenes. But to those who live, as most of us do, in houses of moderate dimensions, snug, comfortable, which the owner's presence fills sufficiently, leaving room for a few visitors, a vast marble palace is disheartening and uninviting. I never get into a very large and lofty saloon without feeling as if I were a weak solution of myself,--my personality almost drowned out in the flood of space about me. The wigwam is more homelike than the cavern. Our wooden houses are a better kind of wigwam; the marble palaces are artificial caverns, vast, resonant, chilling, good to visit, not desirable to live in, for most of us. One's individuality should betray itself in all that surrounds him; he should secrete his shell, like a mollusk; if he can sprinkle a few pearls through it, so much the better. It is best, perhaps, that one should avoid being a duke and living in a palace,--that is, if he has his choice in the robing chamber where souls are fitted with their earthly garments.
One of the most interesting parts of my visit to Eaton Hall was my tour through the stables. The Duke is a famous breeder and lover of the turf. Mr. Rathbone and myself soon made the acquaintance of the chief of the stable department. Readers of Homer do not want to be reminded that hippodamoio, horse-subduer, is the genitive of an epithet applied as a chief honor to the most illustrious heroes. It is the last word of the last line of the Iliad, and fitly closes the account of the funeral pageant of Hector, the tamer of horses. We Americans are a little shy of confessing that any title or conventional grandeur makes an impression upon us. If at home we wince before any official with a sense of blighted inferiority, it is by general confession the clerk at the hotel office. There is an excuse for this, inasmuch as he holds our destinies in his hands, and decides whether, in case of accident, we shall have to jump from the third or sixth story window. Lesser grandeurs do not find us very impressible. There is, however, something about the man who deals in horses which takes down the spirit, however proud, of him who is unskilled in equestrian matters and unused to the horse-lover's vocabulary. We followed the master of the stables, meekly listening and once in a while questioning. I had to fall back on my reserves, and summoned up memories half a century old to gain the respect and win the confidence of the great horse-subduer. He showed us various fine animals, some in their stalls, some outside of them. Chief of all was the renowned Bend Or, a Derby winner, a noble and beautiful bay, destined in a few weeks to gain new honors on the same turf in the triumph of his offspring Ormonde, whose acquaintance we shall make by-and-by.
The next day, Tuesday, May 11th, at 4.25, we took the train for London. We had a saloon car, which had been thoughtfully secured for us through unseen, not unsuspected, agencies, which had also beautified the compartment with flowers.