Over the Teacups

by Oliver Wendell Holmes

Of the new literature be himself has furnished specimens which certainly have all the originality he can claim for them. So far as egotism is concerned, he was clearly anticipated by the titled personage to whom I have referred, who says of himself, “I am the first in the East, the first in the West, and the greatest philosopher in the Western world.” But while Mr. Whitman divests himself of a part of his baptismal name, the distinguished New Englander thus announces his proud position: “Ime the first Lord in the younited States of A mercary Now of Newburyport. it is the voice of the peopel and I cant Help it.” This extract is from his famous little book called “A Pickle for the Knowing Ones.” As an inventor of a new American style he goes far beyond Mr. Whitman, who, to be sure, cares little for the dictionary, and makes his own rules of rhythm, so far as there is any rhythm in his sentences. But Lord Timothy spells to suit himself, and in place of employing punctuation as it is commonly used, prints a separate page of periods, colons, semicolons, commas, notes of interrogation and of admiration, with which the reader is requested to “peper and soolt” the book as he pleases.

I am afraid that Mr. Emerson and Mr. Whitman must yield the claim of declaring American literary independence to Lord Timothy Dexter, who not only taught his countrymen that they need not go to the Heralds' College to authenticate their titles of nobility, but also that they were at perfect liberty to spell just as they liked, and to write without troubling themselves about stops of any kind. In writing what I suppose he intended for poetry, he did not even take the pains to break up his lines into lengths to make them look like verse, as may be seen by the following specimen:

WONDER OF WONDERS!

How great the soul is! Do not you all wonder and admire to see and behold and hear? Can you all believe half the truth, and admire to hear the wonders how great the soul is—only behold—past finding out! Only see how large the soul is! that if a man is drowned in the sea what a great bubble comes up out of the top of the water... The bubble is the soul.

I confess that I am not in sympathy with some of the movements that accompany the manifestations of American social and literary independence. I do not like the assumption of titles of Lords and Knights by plain citizens of a country which prides itself on recognizing simple manhood and womanhood as sufficiently entitled to respect without these unnecessary additions. I do not like any better the familiar, and as it seems to me rude, way of speaking of our fellow-citizens who are entitled to the common courtesies of civilized society. I never thought it dignified or even proper for a President of the United States to call himself, or to be called by others, “Frank” Pierce. In the first place I had to look in a biographical dictionary to find out whether his baptismal name was Franklin, or Francis, or simply Frank, for I think children are sometimes christened with this abbreviated name. But it is too much in the style of Cowper's unpleasant acquaintance:

“The man who hails you Tom or Jack,
And proves by thumping on your back
How he esteems your merit.”

I should not like to hear our past chief magistrates spoken of as Jack Adams or Jim Madison, and it would have been only as a political partisan that I should have reconciled myself to “Tom” Jefferson. So, in spite of “Ben” Jonson, “Tom” Moore, and “Jack” Sheppard, I prefer to speak of a fellow-citizen already venerable by his years, entitled to respect by useful services to his country, and recognized by many as the prophet of a new poetical dispensation, with the customary title of adults rather than by the free and easy school-boy abbreviation with which he introduced himself many years ago to the public. As for his rhapsodies, Number Seven, our “cracked Teacup,” says they sound to him like “fugues played on a big organ which has been struck by lightning.” So far as concerns literary independence, if we understand by that term the getting rid of our subjection to British criticism, such as it was in the days when the question was asked, “Who reads an American book?” we may consider it pretty well established. If it means dispensing with punctuation, coining words at will, self-revelation unrestrained by a sense of what is decorous, declamations in which everything is glorified without being idealized, “poetry” in which the reader must make the rhythms which the poet has not made for him, then I think we had better continue literary colonists. I shrink from a lawless independence to which all the virile energy and trampling audacity of Mr. Whitman fail to reconcile me. But there is room for everybody and everything in our huge hemisphere. Young America is like a three-year-old colt with his saddle and bridle just taken off. The first thing he wants to do is to roll. He is a droll object, sprawling in the grass with his four hoofs in the air; but he likes it, and it won't harm us. So let him roll,—let him roll.

Of all The Teacups around our table, Number Five is the one who is the object of the greatest interest. Everybody wants to be her friend, and she has room enough in her hospitable nature to find a place for every one who is worthy of the privilege. The difficulty is that it is so hard to be her friend without becoming her lover. I have said before that she turns the subjects of her Circe-like enchantment, not into swine, but into lambs. The Professor and I move round among her lambs, the docile and amiable flock that come and go at her bidding, that follow her footsteps, and are content to live in the sunshine of her smile and within reach of the music of her voice. I like to get her away from their amiable bleatings; I love to talk with her about life, of which she has seen a great deal, for she knows what it is to be an idol in society and the centre of her social circle. It might be a question whether women or men most admire and love her. With her own sex she is always helpful, sympathizing, tender, charitable, sharing their griefs as well as taking part in their pleasures. With men it has seemed to make little difference whether they were young or old: all have found her the same sweet, generous, unaffected companion; fresh enough in feeling for the youngest, deep enough in the wisdom of the heart for the oldest. She does not pretend to be youthful, nor does she trouble herself that she has seen the roses of more Junes than many of—the younger women who gather round her. She has not had to say,

Comme je regrette
Mon bras si dodu,

for her arm has never lost its roundness, and her face is one of those that cannot be cheated of their charm even if they live long enough to look upon the grown up grandchildren of their coevals.