The Guardian Angel

by Oliver Wendell Holmes

Ever since the day when Master Gridley had made that over-curious observation of the young lawyer's proceedings at the office, Murray Bradshaw had shown a far livelier interest than before in the conditions and feelings of Myrtle Hazard. He had called frequently at The Poplars to talk over business matters, which seemed of late to require a deal of talking. He had been very deferential to Miss Silence, and had wound himself into the confidence of Miss Badlam. He found it harder to establish any very near relations with Myrtle, who had never seemed to care much for any young man but Cyprian Eveleth, and to care for him quite as much as Olive's brother as for any personal reason. But he carefully studied Myrtle's tastes and ways of thinking and of life, so that, by and by, when she should look upon herself as a young woman, and not as a girl, he would have a great advantage in making her more intimate acquaintance.

Thus, she corresponded with a friend of her mother's in India. She talked at times as if it were her ideal home, and showed many tastes which might well be vestiges of early Oriental impressions. She made herself a rude hammock,—such as are often used in hot climates,—and swung it between two elms. Here she would lie in the hot summer days, and fan herself with the sandal-wood fan her friend in India had sent her,—the perfume of which, the women said, seemed to throw her into day-dreams, which were almost like trances.

These circumstances gave a general direction to his ideas, which were presently fixed more exactly by two circumstances which he learned for himself and kept to himself; for he had no idea of making a hue and cry, and yet he did not mean that Myrtle Hazard should get away if he could help it.

The first fact was this. He found among the copies of the city newspaper they took at The Poplars a recent number from which a square had been cut out. He procured another copy of this paper of the same date, and found that the piece cut out was an advertisement to the effect that the A 1 Ship Swordfish, Captain Hawkins, was to sail from Boston for Calcutta, on the 20th of June.

The second fact was the following. On the window-sill of her little hanging chamber, which the women allowed him to inspect, he found some threads of long, black, glossy hair caught by a splinter in the wood. They were Myrtle's of course. A simpleton might have constructed a tragedy out of this trivial circumstance,—how she had cast herself from the window into the waters beneath it,—how she had been thrust out after a struggle, of which this shred from her tresses was the dreadful witness,—and so on. Murray Bradshaw did not stop to guess and wonder. He said nothing about it, but wound the shining threads on his finger, and, as soon as he got home, examined them with a magnifier. They had been cut off smoothly, as with a pair of scissors. This was part of a mass of hair, then, which had been shorn and thrown from the window. Nobody would do that but she herself. What would she do it for? To disguise her sex, of course. The other inferences were plain enough.

The wily young man put all these facts and hints together, and concluded that he would let the rustics drag the ponds and the river, and scour the woods and swamps, while he himself went to the seaport town from which she would without doubt sail if she had formed the project he thought on the whole most probable.

Thus it was that we found him hurrying to the nearest station to catch the train to Boston, while they were all looking for traces of the missing girl nearer home. In the cars he made the most suggestive inquiries he could frame, to stir up the gentlemanly conductor's memory. Had any young fellow been on the train within a day or two, who had attracted his notice? Smooth, handsome face, black eyes, short black hair, new clothes, not fitting very well, looked away when he paid his fare, had a soft voice like a woman's,—had he seen anybody answering to some such description as this? The gentlemanly conductor had not noticed,—was always taking up and setting down way-passengers,—might have had such a young man aboard,—there was two or three students one day in the car singing college songs,—he did n't care how folks looked if they had their tickets ready,—and minded their own business,—and, so saying, he poked a young man upon whose shoulder a ringleted head was reclining with that delightful abandon which the railroad train seems to provoke in lovely woman,—“Fare!”

It is a fine thing to be set down in a great, overcrowded hotel, where they do not know you, looking dusty, and for the moment shabby, with nothing but a carpet-bag in your hand, feeling tired, and anything but clean, and hungry, and worried, and every way miserable and mean, and to undergo the appraising process of the gentleman in the office, who, while he shoves the book round to you for your name, is making a hasty calculation as to how high up he can venture to doom you. But Murray Bradshaw's plain dress and carpet-bag were more than made up for by the air and tone which imply the habit of being attended to. The clerk saw that in a glance, and, as he looked at the name and address in the book, spoke sharply in the explosive dialect of his tribe,—

“Jun! ta'tha'genlm'n'scarpetbag'n'showhimupt'thirtyone!”

When Cyprian Eveleth reached the same hotel late at night, he appeared in his best clothes and with a new valise; but his amiable countenance and gentle voice and modest manner sent him up two stories higher, where he found himself in a room not much better than a garret, feeling lonely enough, for he did not know he had an acquaintance in the same house. The two young men were in and out so irregularly that it was not very strange that they did not happen to meet each other.