The Poet at the Breakfast-Table

by Oliver Wendell Holmes

But there is a form of criticism to which none will object. It is impossible to come before a public so alive with sensibilities as this we live in, with the smallest evidence of a sympathetic disposition, without making friends in a very unexpected way. Everywhere there are minds tossing on the unquiet waves of doubt. If you confess to the same perplexities and uncertainties that torture them, they are grateful for your companionship. If you have groped your way out of the wilderness in which you were once wandering with them, they will follow your footsteps, it may be, and bless you as their deliverer. So, all at once, a writer finds he has a parish of devout listeners, scattered, it is true, beyond the reach of any summons but that of a trumpet like the archangel's, to whom his slight discourse may be of more value than the exhortations they hear from the pulpit, if these last do not happen to suit their special needs. Young men with more ambition and intelligence than force of character, who have missed their first steps in life and are stumbling irresolute amidst vague aims and changing purposes, hold out their hands, imploring to be led into, or at least pointed towards, some path where they can find a firm foothold. Young women born into a chilling atmosphere of circumstance which keeps all the buds of their nature unopened and always striving to get to a ray of sunshine, if one finds its way to their neighborhood, tell their stories, sometimes simply and touchingly, sometimes in a more or less affected and rhetorical way, but still stories of defeated and disappointed instincts which ought to make any moderately impressible person feel very tenderly toward them.

In speaking privately to these young persons, many of whom have literary aspirations, one should be very considerate of their human feelings. But addressing them collectively a few plain truths will not give any one of them much pain. Indeed, almost every individual among them will feel sure that he or she is an exception to those generalities which apply so well to the rest.

If I were a literary Pope sending out an Encyclical, I would tell these inexperienced persons that nothing is so frequent as to mistake an ordinary human gift for a special and extraordinary endowment. The mechanism of breathing and that of swallowing are very wonderful, and if one had seen and studied them in his own person only, he might well think himself a prodigy. Everybody knows these and other bodily faculties are common gifts; but nobody except editors and school-teachers and here and there a literary than knows how common is the capacity of rhyming and prattling in readable prose, especially among young women of a certain degree of education. In my character of Pontiff, I should tell these young persons that most of them labored under a delusion. It is very hard to believe it; one feels so full of intelligence and so decidedly superior to one's dull relations and schoolmates; one writes so easily and the lines sound so prettily to one's self; there are such felicities of expression, just like those we hear quoted from the great poets; and besides one has been told by so many friends that all one had to do was to print and be famous! Delusion, my poor dear, delusion at least nineteen times out of twenty, yes, ninety-nine times in a hundred.

But as private father confessor, I always allow as much as I can for the one chance in the hundred. I try not to take away all hope, unless the case is clearly desperate, and then to direct the activities into some other channel.

Using kind language, I can talk pretty freely. I have counselled more than one aspirant after literary fame to go back to his tailor's board or his lapstone. I have advised the dilettanti, whose foolish friends praised their verses or their stories, to give up all their deceptive dreams of making a name by their genius, and go to work in the study of a profession which asked only for the diligent use of average; ordinary talents. It is a very grave responsibility which these unknown correspondents throw upon their chosen counsellors. One whom you have never seen, who lives in a community of which you know nothing, sends you specimens more or less painfully voluminous of his writings, which he asks you to read over, think over, and pray over, and send back an answer informing him whether fame and fortune are awaiting him as the possessor of the wonderful gifts his writings manifest, and whether you advise him to leave all,—the shop he sweeps out every morning, the ledger he posts, the mortar in which he pounds, the bench at which he urges the reluctant plane,—and follow his genius whithersoever it may lead him. The next correspondent wants you to mark out a whole course of life for him, and the means of judgment he gives you are about as adequate as the brick which the simpleton of old carried round as an advertisement of the house he had to sell. My advice to all the young men that write to me depends somewhat on the handwriting and spelling. If these are of a certain character, and they have reached a mature age, I recommend some honest manual calling, such as they have very probably been bred to, and which will, at least, give them a chance of becoming President of the United States by and by, if that is any object to them. What would you have done with the young person who called on me a good many years ago, so many that he has probably forgotten his literary effort,—and read as specimens of his literary workmanship lines like those which I will favor you with presently? He was an able-bodied, grown-up young person, whose ingenuousness interested me; and I am sure if I thought he would ever be pained to see his maiden effort in print, I would deny myself the pleasure of submitting it to the reader. The following is an exact transcript of the lines he showed me, and which I took down on the spot:

“Are you in the vein for cider?
Are you in the tune for pork?
Hist! for Betty's cleared the larder
And turned the pork to soap.”

Do not judge too hastily this sincere effort of a maiden muse. Here was a sense of rhythm, and an effort in the direction of rhyme; here was an honest transcript of an occurrence of daily life, told with a certain idealizing expression, recognizing the existence of impulses, mysterious instincts, impelling us even in the selection of our bodily sustenance. But I had to tell him that it wanted dignity of incident and grace of narrative, that there was no atmosphere to it, nothing of the light that never was and so forth. I did not say this in these very words, but I gave him to understand, without being too hard upon him, that he had better not desert his honest toil in pursuit of the poet's bays. This, it must be confessed, was a rather discouraging case. A young person like this may pierce, as the Frenchmen say, by and by, but the chances are all the other way.

I advise aimless young men to choose some profession without needless delay, and so get into a good strong current of human affairs, and find themselves bound up in interests with a compact body of their fellow-men.

I advise young women who write to me for counsel,—perhaps I do not advise them at all, only sympathize a little with them, and listen to what they have to say (eight closely written pages on the average, which I always read from beginning to end, thinking of the widow's cruse and myself in the character of Elijah) and—and—come now, I don't believe Methuselah would tell you what he said in his letters to young ladies, written when he was in his nine hundred and sixty-ninth year.

But, dear me! how much work all this private criticism involves! An editor has only to say “respectfully declined,” and there is the end of it. But the confidential adviser is expected to give the reasons of his likes and dislikes in detail, and sometimes to enter into an argument for their support. That is more than any martyr can stand, but what trials he must go through, as it is! Great bundles of manuscripts, verse or prose, which the recipient is expected to read, perhaps to recommend to a publisher, at any rate to express a well-digested and agreeably flavored opinion about; which opinion, nine times out of ten, disguise it as we may, has to be a bitter draught; every form of egotism, conceit, false sentiment, hunger for notoriety, and eagerness for display of anserine plumage before the admiring public;—all these come in by mail or express, covered with postage-stamps of so much more cost than the value of the waste words they overlie, that one comes at last to groan and change color at the very sight of a package, and to dread the postman's knock as if it were that of the other visitor whose naked knuckles rap at every door.