The Poet at the Breakfast-Table

by Oliver Wendell Holmes

The Lady saw all this, how plainly, how painfully! yet she exercised a true charity for the weakness of her relative. Sensible people have as much consideration for the frailties of the rich as for those of the poor. There is a good deal of excuse for them. Even you and I, philosophers and philanthropists as we may think ourselves, have a dislike for the enforced economies, proper and honorable though they certainly are, of those who are two or three degrees below us in the scale of agreeable living.

—These are very worthy persons you have been living with, my dear, —said Mrs. Midas—[the “My dear” was an expression which had flowered out more luxuriantly than ever before in the new streak of sunshine] —eminently respectable parties, I have no question, but then we shall want you to move as soon as possible to our quarter of the town, where we can see more of you than we have been able to in this queer place.

It was not very pleasant to listen to this kind of talk, but the Lady remembered her annual bouquet, and her occasional visits from the rich lady, and restrained the inclination to remind her of the humble sphere from which she herself, the rich and patronizing personage, had worked her way up (if it was up) into that world which she seemed to think was the only one where a human being could find life worth having. Her cheek flushed a little, however, as she said to Mrs. Midas that she felt attached to the place where she had been living so long. She doubted, she was pleased to say, whether she should find better company in any circle she was like to move in than she left behind her at our boarding-house. I give the old Master the credit of this compliment. If one does not agree with half of what he says, at any rate he always has something to say, and entertains and lets out opinions and whims and notions of one kind and another that one can quarrel with if he is out of humor, or carry away to think about if he happens to be in the receptive mood.

But the Lady expressed still more strongly the regret she should feel at leaving her young friend, our Scheherezade. I cannot wonder at this. The Young Girl has lost what little playfulness she had in the earlier months of my acquaintance with her. I often read her stories partly from my interest in her, and partly because I find merit enough in them to deserve something, better than the rough handling they got from her coarse-fibred critic, whoever he was. I see evidence that her thoughts are wandering from her task, that she has fits of melancholy, and bursts of tremulous excitement, and that she has as much as she can do to keep herself at all to her stated, inevitable, and sometimes almost despairing literary labor. I have had some acquaintance with vital phenomena of this kind, and know something of the nervous nature of young women and its “magnetic storms,” if I may borrow an expression from the physicists, to indicate the perturbations to which they are liable. She is more in need of friendship and counsel now than ever before, it seems to me, and I cannot bear to think that the Lady, who has become like a mother to her, is to leave her to her own guidance.

It is plain enough what is at the bottom of this disturbance. The astronomical lessons she has been taking have become interesting enough to absorb too much of her thoughts, and she finds them wandering to the stars or elsewhere, when they should be working quietly in the editor's harness.

The Landlady has her own views on this matter which she communicated to me something as follows:

—I don't quite like to tell folks what a lucky place my boarding-house is, for fear I should have all sorts of people crowding in to be my boarders for the sake of their chances. Folks come here poor and they go away rich. Young women come here without a friend in the world, and the next thing that happens is a gentleman steps up to 'em and says, “If you'll take me for your pardner for life, I'll give you a good home and love you ever so much besides”; and off goes my young lady-boarder into a fine three-story house, as grand as the governor's wife, with everything to make her comfortable, and a husband to care for her into the bargain. That's the way it is with the young ladies that comes to board with me, ever since the gentleman that wrote the first book that advertised my establishment (and never charged me a cent for it neither) merried the Schoolma'am. And I think but that's between you and me—that it 's going to be the same thing right over again between that young gentleman and this young girl here—if she doos n't kill herself with writing for them news papers,—it 's too bad they don't pay her more for writing her stories, for I read one of 'em that made me cry so the Doctor—my Doctor Benjamin—said, “Ma, what makes your eyes look so?” and wanted to rig a machine up and look at 'em, but I told him what the matter was, and that he needn't fix up his peeking contrivances on my account,—anyhow she's a nice young woman as ever lived, and as industrious with that pen of hers as if she was at work with a sewing-machine,—and there ain't much difference, for that matter, between sewing on shirts and writing on stories,—one way you work with your foot, and the other way you work with your fingers, but I rather guess there's more headache in the stories than there is in the stitches, because you don't have to think quite so hard while your foot's going as you do when your fingers is at work, scratch, scratch, scratch, scribble, scribble, scribble.

It occurred to me that this last suggestion of the Landlady was worth considering by the soft-handed, broadcloth-clad spouters to the laboring classes,—so called in distinction from the idle people who only contrive the machinery and discover the processes and lay out the work and draw the charts and organize the various movements which keep the world going and make it tolerable. The organ-blower works harder with his muscles, for that matter, than the organ player, and may perhaps be exasperated into thinking himself a downtrodden martyr because he does not receive the same pay for his services.

I will not pretend that it needed the Landlady's sagacious guess about the Young Astronomer and his pupil to open my eyes to certain possibilities, if not probabilities, in that direction. Our Scheherezade kept on writing her stories according to agreement, so many pages for so many dollars, but some of her readers began to complain that they could not always follow her quite so well as in her earlier efforts. It seemed as if she must have fits of absence. In one instance her heroine began as a blonde and finished as a brunette; not in consequence of the use of any cosmetic, but through simple inadvertence. At last it happened in one of her stories that a prominent character who had been killed in an early page, not equivocally, but mortally, definitively killed, done for, and disposed of, reappeared as if nothing had happened towards the close of her narrative. Her mind was on something else, and she had got two stories mixed up and sent her manuscript without having looked it over. She told this mishap to the Lady, as something she was dreadfully ashamed of and could not possibly account for. It had cost her a sharp note from the publisher, and would be as good as a dinner to some half-starved Bohemian of the critical press.

The Lady listened to all this very thoughtfully, looking at her with great tenderness, and said, “My poor child!” Not another word then, but her silence meant a good deal.